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Emily Remler, John Abercrombie - Nunca Mais

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Uploaded by on Oct 28, 2006

From a Berklee alumni performance in 1988, this cut features Emily Remler, and John Abercrombie, guitars, Dave Clark on bass and Marcello Pellitteri on drums. The tune Nunca Mais was composed by Remler which she has also recorded. Introduced by John Scofield.

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  • A good song, well played! A special treat is John Scofields haircut, don't you think?

  • this song smokes....and johns solo is insane...

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  • , recorded with a pencil sharpener, that's a good one. The truth is Emily was a virtuoso who could have risen to the top of the heap . Larry Coryell once told me, if she would have lived she could have been one of the greatest ever, and he ment it. John Ambercrombie is total gentleman and maestro as well. Emily made a bad decison in Sidney a few years after this video was made, and it cost her her life. Her music lives...

  • Looks like it's recorded with pencil sharpener, but great music!

  • sorry, not 9:20, but 5:50

  • nice Martino stuff somewhere around 9:20.

    love Abercrombie--he was making some excellent records during these years.

    of course this is 14 years after Metheny showed up at berklee.

  • Nunca Mais is Never More in portuguese.

  • Emily is nice!!

  • Why is everyone giving Abercrombie so much props? Emily is the fucking virtuoso and it's her song. She should be more appreciated. Emily has some of the most consistently amazing solos of any musician I've heard. Also her comping is badass.

  • Why is everyone giving Abercrombie so much props? Emily is the fucking virtuoso and it's her song. She should be more appreciated. Emily has some of the most consistently amazing solos of any musician I've heard.

  • fantastic!

  • I personally find it interesting to see Abercrombie playing over a bossa-style track. Freely admitting that I know his material a lot better than Remler's, I think it's a well-performed song with nice, structured improvisation - especially showcasing the use of some tasteful diatonic devices.

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