The film depicts the construction and ultimate demolition of a metaphorical wall; alienation.
Pink (Bob Geldof), the protagonist (and unreliable narrator) of the film, is a rock star, one of several reasons behind his apparent depressive and detached emotional state. He is first seen in a quiet hotel room, having trashed it. The opening music is not by Pink Floyd, but is the Vera Lynn recording of "The Little Boy that Santa Claus Forgot".[1] During the following scenes, it is revealed that Pink's father, a British soldier, was killed in action in the course of World War II in Pink's infancy, a reference to the death of Roger Waters' real-life father, Eric Fletcher Waters, in combat in Italy during Operation Shingle (the Battle of Anzio) in February 1944.
The movie then flashes back to Pink as a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure after he learns his father died in the war. At school, he is humiliated for writing poems in class. The poems that the teacher seizes from him and reads aloud are lyrics from "Money" from Dark Side of the Moon. Pink is also affected by his overprotective mother. He eventually gets married, but he and his wife grow apart and she has an affair while Pink is on tour. When Pink learns of the affair, he compensates with expensive materialistic possessions and turns to a willing groupie (Jenny Wright), whom he brings back to his hotel room only to trash it in a fit of violence, causing her to flee in terror.
Pink slowly begins to lose his mind to metaphorical "worms". He shaves off all of his body hair and his eyebrows (an incident inspired by former bandmate Syd Barrett, who appeared at a 1975 recording session of Wish You Were Here, having shaved his eyebrows, head hair, and body hair[2][3]) and, while watching The Dam Busters on television, morphs into his neo-Nazi alter-ego. Pink's manager (Bob Hoskins), along with the hotel manager (Michael Ensign) and some paramedics, discover Pink and inject him with drugs to enable him to perform. The drugs cause Pink to hallucinate and he fantasises that he is a neo-Nazi dictator, his concert a rally. His followers proceed to attack ethnic minorities, Pink holds a rally in suburban London, singing "Waiting for the Worms". The scene is inter-cut by images of animated marching hammers that goose-step across ruins. Pink screams "Stop!" and takes refuge in a bathroom stall at the concert venue, reciting poems which would later be used as lyrics on Pink Floyd's "Your Possible Pasts" from The Final Cut album and "5:11 AM (The Moment Of Clarity)" from Roger Waters' The Pros and Cons of Hitch Hiking. In an animated sequence, Pink puts himself on trial. He is depicted as a small, pink rag doll that rarely moves. The film concludes with several children cleaning up a pile of debris after an earlier riot, with a freeze-frame on one of the children emptying a molotov cocktail lasting until the credits
Directed by Alan Parker
Produced by Alan Marshall
Written by Roger Waters
Fuzzen amazing
pvtZLdoyle 2 weeks ago
OMFG!!!!!!!!!!!!!!!!!!!!!!!!!!!!
ghosterdown 3 weeks ago
@anatnom100 It's my personal favorite.
HellomynameisN 3 weeks ago in playlist Pink Floyd.... Nuff said
this is really one of the greatest films of all time.
anatnom100 3 weeks ago
I love this movie sooo much!!!
I love all the songs!!!!
This guy was really messed up, this movie was dedicated to the band member that went crazy!!!
TheChuckyswife 3 weeks ago
@TheCrabby09 no.
HellomynameisN 3 weeks ago
1:03:52
rfbarrington 2 months ago
Is it messed up how much I watch this movie? O_O
TheCrabby09 2 months ago
How do you post things so long to youtube
TheCrabby09 2 months ago