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vado ma dove. Oh Dei ! Dec 2006

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Uploaded by on Dec 15, 2006

Mozart aria--recorded dec 14/2006 at Chapel Historique Bon Pasteur, Quebec City. Accompanist is Louise Deslisle-Bouchard.of the Conservatoire. Kumara is now 16 and a student at the Conservatoire de Musique de Quebec.Please check out her earlier videos to measure her progress.Kumara's teacher is Helene Fortin , a well known Canadian soprano who performs in the US Canada, and Europe.
http://www.conservatoire.gouv.qc.ca
If you'd like to get an idea of her progress listen to Vittoria ! Vittoria recorded in 2004.

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  • good voice but work on the higher notes..and i see you tensing up a little bit....work on it......work on breath control as well as the jaw. it moves to much which means there is tension...but great job. well done

  • Nice voice but the song needs to much support for such a young singer.

    What's wrong with being 16. You should be singing Susanna, Despina, Cherubino, not that aria. You're flat at least 20 times which is not a good sign.

    I wiil do watch your other videos.

  • 声音感觉不错

  • BRAVA

  • Mozart and you are like salt and pepper! Wonderful!

  • at times she was a little bit flat, but her voice is amazing!!

  • Oh my god, the acoustics in that church are amazing. You couldn't have picked a better place to sing in.

  • Mezzo? Hmm...I'd think she were moving higher, actually. Spinto, probably.

  • {Part 2 of comment)

    I also love the ring of your voice and the solidity of the upper register, plus the warmth of your lower one. It might take another year or so to get better breath support in order to avoid the slight approximations of notes here and there, but never matter, this is very beautiful. Thank you.

    BTW your voice sounds like it might develop into a major instrument in about 2-3 years, I'm thinking mezzo or spinto soprano. time will tell. Lots of luck.

  • This is actually quite beautiful and musical. I happen to love this aria to death and have about 6-7 versions of it on CD. It's a delicate piece and can be killed by inattention to the subtle inflexes and harmonic transitions underneath, you managed superbly to convey most of it by the timbre of your voice, and the fact that you love the aria shows wonderfully.

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