Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

WE ARE THE LAMBETH BOYS 4

Loading...

Sign in or sign up now!
6,154
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Feb 14, 2010

Karel Reisz's We Are the Lambeth Boys (1959) has much in common with Lindsay Anderson's Every Day Except Christmas (1957). It was produced by Leon Clore, sponsored by Ford for its Look at Britain series, filmed by the usual Free Cinema technical staff - in particular cinematographer Walter Lassally and editor John Fletcher - and delivered in the same 50-minute format.

The film once again took a sympathetic approach to an aspect of working-class life largely neglected by commercial British cinema. After Every Day's dignified depiction of market workers in Covent Garden, Lambeth Boys attempted to deliver a positive portrait of the lives of ordinary teenagers, far from the usual violent 'Teddy Boy' stereotype. In a sense, the film also developed the theme initiated by Reisz and Tony Richardson in Momma Don't Allow three years earlier.

Lambeth Boys was shot over six weeks in the summer of 1958 in and around the Alford House, a youth club in the Oval area of South London. It follows a group of teenagers at work, at home and in their leisure time, giving them space to express their frustrations and aspirations.. The film is never so good as when it lets the camera move around the group or capture their faces in close-up, rather than providing facts and figures or a sociological analysis.

In a famous article on the film in Sight and Sound, sociologist Richard Hoggart talked of it as a 'film essay' rather than a documentary, because, as he claimed, "it sets out to show, not the whole truth, but some aspects of the truth, wholly". From that perspective, the film succeeded in embodying "the strength and variety of these young people's vitality, their lively, tolerant and complex sense of community".

However the film suffers similar drawbacks to Every Day Except Christmas: the unnecessary voice-over commentary gives it a paternalist tone which undermines the sensitivity of Reisz's images and natural sound, and seems obsolete to today's spectator. The film also loses some of its 'poetic authenticity' by trying too hard to show how nice these youngsters are.

Category:

Film & Animation

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Top Comments

  • Lmao what Lads! xx

    (Jonathan!!!)

  • Any idea where to see "We WERE the Lambeth Boys" reunion documentary?

see all

All Comments (12)

Sign In or Sign Up now to post a comment!
  • Little would they know that their way of life and the country they loved, would be gone forever in less than 50 years. I can't believe what WE'VE allowed Britain to turn into!

  • Thanks for putting this up.  It is so interesting to see this stuff. I love it.

  • Notice how smartly dressed they all are? WE had respect for ourselves and others then. Not like the squalor demonstrated now.

  • Patronising. Condescending. The working class as an animal species to scrutinize. Why did a bloody revolution never happen?

  • @b8boyce Indeed.

  • Dis vid is bare siq. Cnt beleaved dey plaid crikit! ROFL LMAO x

  • "5.26 watch the giant orb light up at 5.30 on the top right ,you see smaller ones dotted about too, please correct me if im wrong but the orb seems to move and dissapear, please reply to scotchy 71 and sub please. thankyou.

  • (speaking with a heavy lisp) I'm sthorry, I don't quite understhdand? I'th this about homo'se'sethuals?

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more