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It is, yes! He was timing the performance of the music to the images that were playing on the screen. Very tricky business, that. Conducting a film score is an entirely different set of challenges from a straight symphonic score.
A couple of years back I had the privilege of attending a screening of Charlie Chaplin's City Lights, with the Hartford Symphony in front of the screen, playing the entire score live. The conductor had a clock on his podium as well, because the musical timing had to have split-second precision (bearing in mind that even the sound effects were purely musical, and thus had to be timed exactly with what was happening on screen). The HSO did the same thing earlier with Alexander Nevsky.
Some of you don't get it. It's classic "Suite" music of the 1930's. You'd hear similar music from the house band of any first class hotel or liner. Think Ray Noble and "Cherokee" or "Red Sails" . More importantly, some of the big British dance bands of the 30's. Jarre in an interview on NPR this weekend said his intent was to convey the both the elegance and mystery of travel back then, just as Bennet's did for "Murder On the Orient Express". BTW, it's a foxtrot.
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Queria vê-la ao vivo aqui no Rio de Janeiro.
Bravo! :))