Here we have a somewhat new way of dealing with the "Plein Jeu", clearly differing from the last verse of the "Kyrie" (which is rigorously conclusive). Now we also experience all the energy of the gregorian foundations. springing out of the pedalboard by means of the trumpets.
On the "Grand Clavier", a "fugato" begining in three parts is developed. The "comes" is suddenly inverted and there it goes, being heard throughout the "divertimento".
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