Ludwig van Beethoven "Ch'io mi scordi di te" KV 505 (fragmento) Jane Eaglen, soprano Orquestra Simfònica del Gran Teatre del Liceu Director de orquestra: Salvador Mas
This is, in fact, the conclusion of the concert aria "Ah, perfido" by Beethoven. And well performed by one of the great dramatic sopranos of the past 50 years.
This is not Beethoven! Ch'io mi scordi di te? ... Non temer, amato bene, K. 505, is a concert aria by Wolfgang Amadeus Mozart for soprano, piano obbligato and orchestra, composed 1786 in Vienna;
There was a reason the past was described as the "GOLDEN ERA of SINGING"
The singers indicated, Flagstad; Lawrence; Pauly, were still superior to any today It is not the size of the voice but BRILLIANCE, SPONTANEITY and CHIAROSCURO. The "RADIO" was the "ONLY" live transmission to those who could not afford to attend the Metropolitan back then, establishing the fact that unforced PROJECTION, and all the other attributes of Bel Canto, were "recognized."
I love Jane Eaglen's voice. Wow, what a blessing to have such a voice.
When I heard her solo at the end of Sense and Sensibility I teared up for
the beauty of it.
ritasandiego 4 months ago
@Peacechick1716 Wow! I'd be honored to have such a talent in my family! Your aunt sings like an angel!
dwalle2 4 months ago
I have heard Jane in the opera house singing Norma, Boheme, and she was fantastic , I love her voice.
Thevelezrubio 4 months ago
Superb artist I so much enjoy her voice, pity we see little of her in the UK.
Thevelezrubio 4 months ago
She's my aunt and i'm damn proud =)
Peacechic1716 5 months ago
wich language iss it??? ma propio noncapisco nulla......
mmisaku 7 months ago
This is, in fact, the conclusion of the concert aria "Ah, perfido" by Beethoven. And well performed by one of the great dramatic sopranos of the past 50 years.
blevarela 10 months ago
This is not Beethoven! Ch'io mi scordi di te? ... Non temer, amato bene, K. 505, is a concert aria by Wolfgang Amadeus Mozart for soprano, piano obbligato and orchestra, composed 1786 in Vienna;
bildsymbol123 1 year ago
@seattleoperaguy
There was a reason the past was described as the "GOLDEN ERA of SINGING"
The singers indicated, Flagstad; Lawrence; Pauly, were still superior to any today It is not the size of the voice but BRILLIANCE, SPONTANEITY and CHIAROSCURO. The "RADIO" was the "ONLY" live transmission to those who could not afford to attend the Metropolitan back then, establishing the fact that unforced PROJECTION, and all the other attributes of Bel Canto, were "recognized."
MrSkylark1 1 year ago
@MrSkylark1
I'd take Eaglen. . . maybe not as clear from recordings, but this is one hell of a voice live! I feel fortunate to have heard her dozens of times.
seattleoperaguy 1 year ago