Sorabji - Transcendental Etude No. 10

Transcendental Etude No. 10 "Con brio ed impeto"

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• sorabji

[MertzAllur]

@titusbeertsen

I just listened to Gulistan. This is complex and very beautiful music. Every time you hear it you'll discover something new. In my opinion Sorabji is one of the greatest composers of all time.

[Bojangulz87]

@pcred566 It would seem so

[onlymusiciansallowed]

@bacardifebreezer yes, you'r right.

[bacardifebreezer]

@onlymusiciansallowed you're free to dislike any music you want, but i think it's a little unfair to call it "completely meaningless", dont you think? :)

[onlymusiciansallowed]

completely meaningless music

[Bojangulz87]

@pcred566 not to worry, it happens

[pcred566]

@Bojangulz87 ...Ouch.

[pcred566]

@Bojangulz87 Ah. So, this whole time, we were arguing the same point?

[Nganguenf]

On dirait l'étude Op. 10/1 de Chopin mais modifié et transcris dans un mode "atonal"!!!

[Bojangulz87]

@pcred566 Good then we're in agreement excluding the last part. As far as I am concerned the name dyad and 2 note chord can be used interchangeably so a formal writing on a dyad is essentially a formal writing on a two note chord.

[pcred566]

@Bojangulz87 Oh. When I said I was trying to condense my comment, I wasn't referring to my original comment. You said that the first part of my comment didn't make sense at all, which I was trying to account for. I was only unspecific in my original comment because I considered it a matter peripheral to the one we were originally discussing, and didn't give it too much thought. And I didn't mean there aren't any formal writings on dyads, I meant that there aren't any defining 2 notes as a chord.