Farinelli il Castrato, Ewa Malas-Godlewska voice of Farinelli
Loading...
Link to this comment:
Top Comments
All Comments (29)
-
Why not Dariusz Paradowski...
-
scholl is better, though loved dionisi
-
further mor sfkb, you weren't there in the baroque at all... there was scooping all over the place and there was vibrato and such things existed before bach. it's not like it was decided to vibrate after bach's death in erurope unilaterally. no one knows what the contratenor could actually do. no one alive today no matter what the descriptions..... we weren't there end of story. scholl??? kiehr???? good grief. such mediocre singers.
-
in 1994, scholl was no one. and i think the combination is incredible. they are great. i loved them both and the combination thereof. actually scholl??? how do people cite such a mediocre countertenor as someone to look up to?
-
not is real ¡
-
Sony engineers were fairly good for 1993; however, the directors who chose the two singers made a huge mistake. Neither the countertenor nor the soprano had a voice or technique anything close to that of the descriptions of the castrato voice. They could have come much closer had they used singers like Andreas Scholl and Maria Cristina Kiehr. Both had pure voices, perfectly controlled technique and vibrato (no warbling or sliding), and had been trained in Baroque style and technique.
-
AWESOMEEEEEEEEE!!
-
c'est magnifique
simplemente maravillosos Ewa malas
imponenete
sorpredente
y el contratenor estupendo
-
I read there was no splicing of the two voices in this scene and Lascia, but I can't be totally sure. I will check again. But yes, I know about the splicing! Have to admit, it's a great idea! I love their voices! Ciao, Donna
-
You're listening to the magic of the computer-splicing of the voices of a (very talented) soprano and a (quite impressive) counter-tenor making for the unearthly voice of the castrati, the most talented and best-trained singing machines of their time.
4:25Handel - Farinelli - Lascia ch'io pianga (Derek...by bulgad76,041 views
- 4:20Ewa Malas-Godlewska & Jose Cura, Solo Con Amoreby muza847,284 views
- 5:48The Tales of Hoffmann, Ewa Malas-Godlewska, Oly...by muza830,645 views
- 4:04Ewa Malas-Godlewska & Jose Cura, Messagesby muza839,670 views
- 4:00La Boheme, Ewa Malas-Godlewska and Jose Cura, C...by muza851,029 views
- 3:10Ewa Malas-Godlewska & Jose Cura, "Fra di Noi"by muza860,628 views
- 1:56Farinelli, "Ombra Fedele anch'io"by lentikkia243,752 views
- 1:33Ewa Malas-Godlewska, The Ninth Gate - sampleby muza830,171 views
- 3:51Ewa Malas-Godlewska & Jose Cura, Ou Est Le Tempsby muza832,871 views
- 4:36La Boheme, Ewa Malas-Godlewska, Concertby muza88,929 views
- 1:21Farinelli - Venti turbini - Ewa Malas-Godlewskaby muza84,364 views
- 3:26Ewa Malas-Godlewska, Mizerna Cicha, TV Concert ...by muza841,043 views
- 3:23Scarborough Fair, Ewa Malas-Godlewskaby muza816,069 views
- 7:24Castrato BBC - Farinelliby Clau8351,124 views
- 3:42Son qual nave ch'agitata - Artaserse (1734) de ...by NightEinyel83,434 views
- 3:20Alessandro Moreschi, the last Castrato voiceby RiccardoP1983679,484 views
- 7:11Le castrat Farinelli. Nostalgie d´une voix perd...by JaRoWi164710,131 views
- 2:55Ewa Malas-Godlewska, Danzaby muza815,454 views
- 4:53Semiramide - G. Rossini, Ewa Malas Godlewskaby muza86,621 views
Ewa's and Derek's voices were absolutely perfect for this movie. Ragin's voice timbre is what Farinelli suppose to have, but his vocal scale was only at 50% of Farinelli's range. Ewa with her timbre of voice almost identical to Derek, could continue to upper scale of Farinelli. However, there are arias in this movie performed by Ewa or Derek exclusively, with each of them being "Farinelli" at 100%.
opera75 4 years ago 6
Bosko :) sam jestem kontratenorem,a postać Farinelli'ego jest dla mnie fenomenalna ;)
szpaku7g 4 years ago 3