John Adams: String Quartet (2008), second movement

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Uploaded by on Sep 30, 2010

The second movement of John Adams' two movement string quartet, played by the St. Lawrence String Quartet

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Music

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Uploader Comments (arvidtom)

  • god, the piece really is relentlessly annoying, though.

  • @flammesombres Funny that you say that, most listeners (including yours truly) would say the academic old-fashioned modernist music you love so much (Ferneyhough, Babbitt, Carter) is among the most relentlessly annoying and most boring music ever written.

Top Comments

  • Whatever. Long live tonality. Adams, thank you for rebelling against the humorless clinical wasteland of the 20th century.

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All Comments (68)

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  • Oh come on, boys and girls! It far less annoying or irritating than Puccini, and a lot of other popular rot I can think of. In the words of Charles Ives, "Don't be such a musical sissy."

    ... Flame war ... Film at Eleven!

  • this really is actually quite annoying...it's tonal in the sense that it "sounds tonal" but there really is no gravitation or harmonic direction, just a chain of notes loosely related to each other in an attractively "driving" rhythm. not to mention it doesn't seem to have any classical gravitas at all.

  • This thing is really quite relentlessly annoying. Mathematics and engineering is what it is. Do I want to hear it a second time? No, no, no, no, no, no, no, no, no, no - never - no. no. no. no. no. no. no. no, no, no - nope - no. no. no. no. no.....

  • this is far from a masterpiece

  • @AfroDeezeeYak Aha.

  • @AfroDeezeeYak Like I said, you caught me in a generalization. It's really quite simple. I was wrong, I forgot myself.

  • @RandomTask3000

    What made you change your mind about 20th century music? First you claimed it all to comprise a "humorless clinical wasteland". Now you are saying "oh Stockhausen, Scelsi, ect are alright".

  • @AfroDeezeeYak Ha. Haha. HA! Funny. You caught me making a generalization. And so the point goes to you old chum. Truth be told, I am inspired by composers like scelsi, stockhausen and many of those you mentioned.

    But perhaps I am best left listening to the mindless music of the unwashed masses. It seems my mind has hit a great big wall called "The New Viennese School" and I have no choice but to, as you kindly suggested, crawl back to the strophic pentatonic ooze I came out of.

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