Music for the Baffo Harpsichord

James Yorke, V&A Curator:
This harpsichord was made by Giovanni Antonio Baffo in 1574; the dates are just above the keyboard. Baffo was one of the leading harpsichord makers in Venice and he flourished from the 1550s until the 1580s. And it was made for a member of the Strozzi family who were a banking family in Florence, although they had branches in Venice as well.

Kirstin Kennedy, V&A Curator:
Im Kirstin Kennedy and Im part of the team that has put together the new Medieval and Renaissance Galleries that are opening at the V&A in 2009. So that means Ive helped choose the objects, Ive helped select the themes and Ive helped develop the computer interactives and the other learning and interpretation activities that are going with the galleries.

The harpsichord is in the galleries, of course we chose it because it is very beautiful, I think you can see that. But another reason is of course were talking about what people did in their homes. And of course one of the things people did to entertain themselves, and their guests, was to play music. And by showing an object like this in the context of other things such as plates and tapestries and chairs, we can convey the idea that music was also, of course, a part of peoples everyday life.

Visitors to the gallery who see this beautiful instrument and wonder what it might have sounded like will actually be able to hear a similar instrument being played on a computer interactive which is beside the harpsichord. Weve been fortunate enough to have a collaboration with the Royal College of Music and theyve recorded for us the type of music that would have been heard in the home or at gatherings at that time in the 16th century. And so you will be able to go in to the galleries, select your screen on the interactive, put your headphones on, and away you go.

Seb Durkin, Royal College of Music:
First of all Giulia will pick which pieces she wants to do, and then well arrange a space to record, this time weve chosen to use the Museum because the instrument over there is specific to the piece and the time that has been specified. Once Ive miked it up, Giulia will come across here, shes going to listen to the sound and we can make sure between us that were both happy with where the mike placement is in the room and how the instrument sounds generally. Once weve established a sound and were happy with that, well start doing takes as we refer to them. So well do a number of different recordings, sometimes of different sections of the piece, sometimes of the whole piece together. And then at other points, usually afterwards, well go over bits that were maybe not happy with or that Giulias might voice an opinion on so that we have to record again. Once weve got a bulk of materials, so here weve been recording for about three hours this morning to do two pieces, once we have enough takes, Giulia can sit down with a score, Ill create a CD for her and she can listen to all these and select edits. So shell select the highlights or the best bits weve got so this differs from a live performance where you only have one go at it. We can do a number of different versions of it until were completely happy that every single bar has been covered. Once Giulias got suggestions for edits, shell come in with me and then we think about how we can piece those bits together to create one solid take which then will hopefully end up being the definitive version.

Category:

Nonprofits & Activism

Tags:

• medren
• V&A
• harpsichord

[davidnicholls100]

What is the name of the music that was played?

[bubbelah]

What is the name of the harpsichord piece that is play?

[SYLVESTRIVS]

so lovely!

[TheGravicembalo]

great!