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How to Use Scene Breaks to Cut the Fat - Lessons From Elantris by Brandon Sanderson

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Uploaded by on Jul 13, 2010

Demonstrates from Brandon Sanderson's breakout fantasy Elantris how to skillfully insert scene breaks to spare your readers the boring parts.

Historical and speculative novelist K.M. Weiland offers tips and essays about the writing life to help other writers understand the ins and outs of the craft and the psychology behind the inspiration.

http://wordplay-kmweiland.blogspot.com
http://www.kmweiland.com

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Uploader Comments (KMWeiland)

  • "The breeze was gusty and strong atop the wall of Elantris, and it whipped Hrathen's cape with glee."

    That is not good writing. I mean, come on...

    The strong wind atop the wall of Elantris whipped Hrahten's cape around his calves and knees.

    That's better.

  • @Iskander0027 I agree. That sentence borders on purple prose. But the point was to show the benefits of a well-placed scene break.

  • I'll type out the scene break, as it appears in the book, below. The character (Hrathen) stops at the bottom of the stairs to bribe an old man into letting him climb up the wall to the parapet. The scene ends with a few lines of dialogue:

    "Who is Jaddeth, good sir?"

    Hrathen bowed his head. "You'll know soon enough, old man. One way or another you'll know."

    ***

    The breeze was gusty and strong atop the wall of Elantris, and it whipped Hrathen's cape with glee.

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  • I wish you could have shown how he did it, like read a passage from it, then explained it to us...

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