Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Ginastera Sonata Op. 22 4th Mov - Ross Salvosa, piano

Loading...

Sign in or sign up now!
6,625
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jul 6, 2007

Ginastera Sonata Op. 22
IV. Ruvido ed ostinato

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 2 dislikes

Link to this comment:

Share to:

Uploader Comments (rsalvosa)

  • A beautiful interpretation, very personal. I hear new things in the piece. The slow intro and long pauses may not be in the score - I could tell you love playing it, and the excitement made me love to listen. Maybe recording quality but parts sounded a little murky in the pedal. I had to stop and play the 1:00-1:01 transition many times, it brought a smile. Maybe not the lilt of Spanish dance but the joy of performance. It moves me more than any other recording of this.

  • @gilsub : Thank you so much for your very kind words. Yes I do love this piece, i have since shelved this piece but I am wanting to relearn it and perform it again. This music moves me tremendously and I can feel my Spanish roots spring out while playing this piece. Thanks for listening and stopping by.

  • extraordinary technique ... elegant ... awesome

  • Thanks so much... very honored.

see all

All Comments (24)

Sign In or Sign Up now to post a comment!
  • Aaaaah Thank you so much for a GLORIOUS interpretation of this final movement. Never heard it performed like this, EVER. It's no longer mechanical, you make it flow and ebb and explode as Ginastera meant it to. BRAVISSIMO !!!!!

  • One fo the best versions on youtube. Greetings from Argentina, land of Ginastera.

  • simply BRILLIANT !!!!!!!

  • AWESOME.

  • The ukrainian contestant that I was observing at the ongoing Jose Iturbi International Music Competition played this piece superbly, however, I believe SALVOSA conducted it with a deeper emotion; and SALVOSA has a better understanding of this difficult piece.

  • You're welcome. Just one more thing: be careful with your opening measures. if you look at the score, notice that there are no accents on the lowest notes of the left hand (A, D. E). I'm not sure if they are purposeful or accidental on your part, but you tend to accent them. Besides not being written that way, accenting those notes robs the music of the driving rhythm that Ginastera wanted, giving it a character that is too heavy.

  • Thanks so much for the great advice. I really appreciate it.

Loading...

0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more