Maria Callas: "Contro un cor che accende amore" Rossini, Barbiere Siviglia, 1957 Londra

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Uploaded by on May 4, 2009

Maria Callas esegue "Contro un cor che accende amore" da Il Barbiere di Siviglia di Gioachino Rossini. Tenore: Luigi Alva. Alceo Galliera dirige la Philharmonia Orchestra e Chorus. Registrazione effettuata nel settembre 1957 alla Kingsway Hall di Londra.

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Uploader Comments (belcantismo)

  • Oh, I prefer the live version from La Scala, 1956. Yes.

  • I love both, but I prefer this version.

  • And which Una voce poco fa do you prefer?

  • London 1954: the only one I posted on my youtube account.

Top Comments

  • Every note a gem.

    With this wonderful studio version, Callas gives back to this neglected aria its classical beauty and humour, up to the breathtaking cadenza.

  • I will never forget your great voice.Thanks Maria,thanks Belcantismo

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All Comments (9)

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  • My Lord! the Quartine at 4:40 are just perfect in time and intonation, just like a machine. She's so into the music that becomes part of it just like an instrument - the main instrument. Calls, La Divina.- no one before , no one after!

  • Wonderful. I have enjoyed this recording for years.. Serafin and the cast are wonderful. Regardless of what the critics say [she] was the greatest soprano in recorded history, A real music lesson here... for us all. Thank you!

  • She sounds like she has woodwind, brass and string sections in that little throat of hers. This is music of a very rare kind, as it is performed by someone whose demands on herself are at the same level of what the composer requires as well. I never got that feeling when listening to Roberta Peters' sickening and arch portrayal of Rosina, so corny and musically sophomoric.

  • Beautiful in 1956, but in the original key is even more precious!!

  • This marvellous Barbiere has been the first I listen to from my teenage! Callas is outstanding, all the singers are good (but Zaccaria and Ollendorff are terrible)

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