Diana Damrau - Non più di fiori - La Clemenza di Tito

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Uploaded by on Nov 12, 2008

Last aria of Vitellia, from La Clemenza di Tito, W.A. Mozart.
Vitellia is an extremely demanding role to sing, because of the ability and wide vocal range needed to sing it.

From Diana Damrau's 2008 album: Donna, Mozart Arias.

Please, support the great work of this great artist by purchasing this album:
http://www.amazon.com/Donna-Mozart-Arias/dp/B0017IYWEE/ref=sr_1_1?ie=UTF8&...

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Uploader Comments (leoperarm)

  • Increíble, bellísimo...

  • exacto!

  • Well, she certainly has good enough lower range to sing this convincingly. Can't say that this is my favourite version though, it feels like something is missing (maybe in the orchestra/conducting like some of you say).

    The tempo is perhaps also a bit too fast?

  • Yes... the conductor is not the best, and the orchestra is one of those 'period-instrument' ones that tend to make music faster and tune the song lower...

  • I love and prefer period instruments so that's not the point. For a good period instrument version try the one where Rene Jacobs is conducting.

  • I have it! Great!

    But this orchestra is really small, not like the one of Jacobs!

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All Comments (26)

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  • what's with all the hate here?

  • didn't quite like her as Vitellia...

  • I hear lots of ideas. I just don't like them.

  • She (and to some extent, the orchestra) makes things interesting near the end - decent G, great coloratura - but in general it's not a great recording. I don't see Damrau as a Vitellia, at least not at this point in her career.

  • The conductor is really without ideas here!

  • strange pronounciation, dont like her chest voice, sounds like wobble - singing

  • well this is really boring and very intimate i.e. small tiny teensy orchestra...very frail....the voice is a high col and really not at its most convincing until the last bars. hmmm.....

  • I agree with you absolutely.

    A very very fine rendition of this hideously difficult piece!

  • Very good. I dont know if it is because its a recording that her low notes sound so good, but even if they arent ultra strong like pendatchanska and varady, she keeps her tone homogeneous throughout the whole range.

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