Descent From Digitana Sequences

This work was one of the first musical compositions composed almost entirely on the Alesis Andromeda synthesizer. A basic rhythm patch was programmed on the Andromeda, and this then provided the backing for the multi-part sequences using a short sustain and hard-synched oscillators. The sequences introduce the tempo of the melody with these being backed by a warm string-like pad. The optimism of the piece soon changes as darker pitch modulations come into play with a nightmare of surreal bird samples invading the scene. The Andromeda sequences die away to leave the bird calls and a very dark bass oscillation. This synthesizer experimentation was one of the first to bring about a complete phrasal change from the optimistic plucked sequences to the darkwave tones of the bird passages. The visuals for the music were entirely composed using pure video synthesis and transformational linear modulations created by the Adobe Premier software. This was done for the creation of analogue-like video modulations using entirely synthetic means. The result is an unusual interwoven synthesizer combination blending analogue and sampled sounds with pure electronic video animations. The composition represents a tribute to the EMS Synthi 100 audio synthesizer and the EMS Spectron video synthesizer.

Category:

Music

Tags:

• Alesis
• A6
• Andromeda
• music
• synthesizer
• synthesis
• sequence
• experimental
• atonal
• analog
• analogue
• digital
• modulation
• multi-timbral
• ambient
• New
• Age
• surreal
• rhythms
• birds
• darkwave
• strange
• Adobe
• Premier
• colour
• morph
• blend
• linear
• transformation
• electronic
• electronica
• waveforms
• geometric
• animation
• composition
• synthetic
• kaleidoscope
• trance
• optical
• shapes
• superimpose
• op
• art
• graphics
• mix
• video

[mzbab]

You, sir, are a genius...

[frostrugo]

too much acid.... LIKE!

[jenamu6]

YEeeeeaaah very nice work

[0e0]

i really like your approach.

[Jauly]

Both pieces of work, visual and music, are absolutely great on themselfes, but they don't share much in common expressions nor they fit together to something expanding. The clear, colourful, linear, geometric shapes do not reflect the mood of the hurring, tensioned music. Or could somebody point out the connections?

[ChemicalComedown]

This is REALLY good ! ! !