A Toot & A Snore in '74 - "Lucille"

05:59 - Lucille

A Toot and a Snore in '74 is a rare bootleg album of the one and only jam session in which John Lennon and Paul McCartney played together after the break-up of the Beatles. They were joined by Stevie Wonder, Harry Nilsson, Jesse Ed Davis, May Pang, Bobby Keys and producer Ed Freeman for an impromptu jam session.What followed was not very productive. Lennon sounds to be on cocaine—he can be heard offering Wonder a snort on the first track, and on the fifth, asks someone to give him a snort. This is also the origin of the album name, where John Lennon clearly asks: "You wanna snort, Steve? A toot? It's goin' round."

Category:

Music

Tags:

• john
• lennon
• paul
• mccartney
• beatles
• bootleg
• a
• toot
• and
• snore
• in
• 74

[bloodnokian]

It is Lennon and McCartney, McCartney is on drums.

[boozedog77]

For your information diogo678 Lennon was not only impressed by the quality but the enjoyment of jamming with macca again that he wanted to re-form The Beatles. But due to his getting back together with Yoko shortly after this it never happened. Now who's the arsehole?!!

[turbojet100]

this would not have happened if john was with yoko at the time amirite?

[Beatles6919]

@TullioWalker there is pics of the two of them together on google.. he and john were getting along great during this time.. they did jam together.. they had their issues in the early 70s 71 72 of course loko yoko got wind of this and reeled him back in.. lennon was even going to surprise mac in new orleans where he was recording venus and mars album.. good ole yoko..

[BeatPerfection]

@TullioWalker Well I must be a special person then, because I can hear it, and that means analog recordings have just as big a frequency range as digital recordings, which makes your argument flawed, and YOU an idiot. Now stop playing "interesting" claiming you "know the truth" and everybody else doesn't, because it is not so. You just proved your ignorance by making your stupid remarks.

[TullioWalker]

@choad1976 you're right. I could only check it out lately with a director of a big fan club. He talks to Paul. What can I say? I'm changing my opinion. Thanks.

[TullioWalker]

@BeatPerfection

Thank you, Heather Mills.

By the way, are you discovering that high note just now? Are you finding that only special people can hear it? Sorry, you're late for the party.

[BeatPerfection]

@TullioWalker oh, yeah?? Here's a thought for you. At the of the Sgt. Pepper album (analog) there's a high frequency noise which must be around 16-17khz. now HOW MUCH FREQUENCY RANGE do you need?? Plus, how can you be able to tell if a recording is analog from a YOUTUBE VIDEO. I'm an audio engineer and I'm telling you, what you say is complete BULLSHIT. Do you know anything about audio??

[BarryPuppetSoetoro61]

I like seeing my name next to the best song writers Ever..

[choad1976]

@TullioWalker As for the digital/analog debate, I can't help ya. All I know is however this was recorded existed in '74. The proof is in the pudding.

[choad1976]

@TullioWalker No, this in fact happened. Lennon was producing Nillson's "Pussy Cats" record and Paul and Linda stopped in one night. Lennon and McCartney have both referenced this session in interviews, but there's not alot to it unless you like hearing Lennon coked out of his head ("Give Stevie a bump"- you can hear him say at the end of this track.) and bitching because his headphones and mic weren't working properly.

[TullioWalker]

Sorry, man. This is fake. That story was taken as fake by many people. John and Paul was not talking to each other in mid 70's due to Apple issues ended only in 1975. Sound quality here is very good to be true in 1974. Recordings were made in tape not digital in 1974. This is a digital recording, you can ckeck it. Tape doesn't have large frequencies range as digital. Not nocking your video, just a touch.