One Hundred and One Dalmatians (often abbreviated as 101 Dalmatians) is a 1961 American animated feature produced by Walt Disney and based on the novel The Hundred and One Dalmatians by Dodie Smith. Seventeenth in the Walt Disney Animated Classics series, the film was originally released to theaters on January 25, 1961 by Buena Vista Distribution.
The film features Rod Taylor as the voice of Pongo, the first of the Dalmatians, and Betty Lou Gerson as the voice of the villainous Cruella de Vil. The plot centers on the fate of the kidnapped puppies of Pongo and Perdita.
The film is a landmark in animation history for many reasons. It is the first Disney animated film to be set in a contemporary setting. It is also the first Disney film created by a single story man (Bill Peet).
The production of the film also signaled a change in the graphic style of Disney's animation. Ub Iwerks, in charge of special processes at the studio, had been experimenting with Xerox photography to aid in animation. By 1959 he had modified a Xerox camera to transfer drawings by animators directly to cels, eliminating the inking process and preserving the spontaneity of the penciled elements.
The introduction of xerography eased graphic reproduction requirements, but at the price of being unable to deviate from a scratchy outline style because of the new (and time and money saving) technology's limitations. Since the line would not have fit the "round" Disney drawing style used until then (with the exception of Sleeping Beauty), a more graphic, angular style was chosen for this and subsequent films. Rotoscoping, a technique formerly used for tracing live action human characters into animated drawings, became less important.
Another reason for its look was that the animators were used to producing sketchy drawings, as the clean-up was done in the process of transferring the drawings to the cels. With the hand inkers gone, the animation remained as the animators drew it. Later it became common to do clean-up on paper before the animation was copied, and with time and experience, the process improved.
According to Chuck Jones, Disney was able to bring the movie in for about half of what it would have cost if they'd had to animate all the dogs and spots. The studio cut its animation department after the failure of the very expensive Sleeping Beauty, resulting in a reduction of staff from over 500 to less than 100. Walt Disney, who for some years had spent his attention more towards television and his Disneyland amusement park and less on his animated features, disliked this development. The "sketchy" graphic style would remain the norm at Disney for years until the technology improved prior to the release of The Rescuers. In later animated features the Xeroxed lines could be printed in different colors. Unlike previous Walt Disney animated features, One Hundred and One Dalmatians features only three songs, with just one, "Cruella De Vil", playing a big part in the film. Even this song isn't sung in one setting (a scene between Cruella and Anita splits it into two parts). The other two songs are "Kanine Krunchies Jingle" (sung by Lucille Bliss, who voiced Anastasia in Disney's 1950 film Cinderella), and "Dalmatian Plantation" in which only two lines are sung at the film's closure.
To achieve the spotted Dalmatians, the animators used to think of the spot pattern as a constellation. Once they had one "anchor spot", the next was placed in relation to that one spot, and so on and so on until the full pattern was achieved. All total, 101 Dalmatians featured 6,469,952 spots, with Pongo sporting 72 spots, Perdita 68, and each puppy having 32.
so many PUPPIES!!!
PikachuinZelda 2 years ago 24
they should have a 101 dalmations world in the next Kingdom Hearts game, where you can have both pongo and perdita on your team. And everyone will be transformed into dogs (and since Goofy is already a dog, he will be transformed into a cat.)
MrBrawler16 1 year ago 18