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LizB-Web207 - Digitisation and Convergence - the cameraphone

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Uploaded by on Aug 17, 2011

Liz Barrett's Assignment 3 - Reflective Web Media Creation for unit Web207, Curtin University of Technology.

Why this clip was made:

This clip was made to convey, from my perspective, how digitisation and convergence has affected the way we socialise and interact with one another through personal photography, in particular, how the ubiquitous camera phone has changed the way we express and represent ourselves.

Copyright and Creative Commons:

Photographs for this project have been sourced and paid for, and published with permission from iStock photos under their Content Licence Agreement.

The soundtrack "Motionwork" by artist "Easters" (through their album Watchmaker: Co-Axial Escapement) is licensed under a Creative Commons 'Attribution-Non-commercial-share alike 3.0 US License (CC BY-NC-SA 3.0)

References:

Sturken, M., & Cartwright, L. (2009). Visual Technologies, Image Reproduction, and the Copy. In Practices of looking : an introduction to visual culture (2nd ed., pp. 183-222). New York and Oxford: Oxford University Press. [eReserve]

Burgess, Jean E. (2009) Remediating vernacular creativity : photography and cultural citizenship in the Flickr photosharing network. In: Edensor, Tim and Leslie, Deborah and Millington, Steve and Rantisi, Norma (Eds.) Spaces of Vernacular Creativity : Rethinking the Cultural Economy. Routledge Studies in Human Geography . Routledge, London ; New York, pp. 116-126. [eReserve]

Cobley, P., & Haeffner, N. (2009). Digital cameras and domestic photography: communication, agency and structure. Visual Communication, 8(2), 123 -146. doi:10.1177/1470357209102110 [via Library Catalogue]

Cox, A. M. (2008). Flickr: a case study of Web2.0. Aslib Proceedings, 60(5), 493-516. doi:10.1108/00012530810908210 [via Library Catalogue]

van Dijck, J. (2008). Digital photography: communication, identity, memory. Visual Communication, 7(1), 57 -76. doi:10.1177/1470357207084865 [via eReserve]

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