Haas - String Quartet (1919) 1/3

Joseph Haas (1879 -1960)

Streichquartett A-Dur op. 50 - 1919
( String Quartet in a major op 50 - 1919 )

1. frisch und lebendig (fresh and lively)
2. nicht zu rasch und menuettartig (not too fast, like a menuet)


GEWANDHAUS QUARTETT
(the legendary Gewandhaus-Quartet ! )

GERHARD BOSSE - VIOLINE 1 (violin 1)
GÜNTER GLASS - VIOLINE 2 (violin 2)
DIETMAR HALLMANN - VIOLA
FRIEDEMANN ERBEN - VIOLONCELLO (cello)


recorded from very rare MONO LP made by Eterna GDR (DDR,1967)
--
He was born in Maihingen, near Nördlingen to teacher Alban Haas from his second marriage, being half-brother to the theologist and historian Alban Haas. At an early age he came into contact with music. He became a teacher himself and taught from 1897 to 1904 in Lauingen near the Danube.
In his effort to pursue his musical inclination, he met Max Reger, with whom he took private lessons from 1904 in Munich. He later followed him to Leipzig in 1907 to study music at the Leipzig Conservatory. Among his teachers were Karl Straube and Adolf Ruthardt. In 1909 Haas finished his studies. In 1911, having had his first success as a composer and having won an Arthur Nikisch scholarship, he became teacher of composition at the Stuttgart Conservatory, where he was named professor in 1916. From 1921 he taught at the Akademie für Tonkunst in Munich (today Hochschule für Musik und Theater München); he was professor there from 1924 to 1950.
In 1921, together with Paul Hindemith and Heinrich Burkard. he established the Donaueschinger Kammermusikaufführungen zur Förderung zeitgenössischer Tonkunst.
In 1930, he became a member of the Prussian Academy of Arts in Berlin.
During the rule of Nazism, Haas suffered some reprisals, as he openly supported the "entartete" new music and practised his Catholic beliefs.
After the Second World War, he became president of the Munich Hochschule für Musik und Theater, a position which he held until he became Emeritus Professor in 1950 and led the school's reconstruction after 1945.
-
The work of Haas was entirely based on tonality. At first, he was strongly influenced by his mentor Max Reger, whose language of polyphony and harmony also featured in Haas's music.

During his lifetime, Haas was a successful and well known composer. In 1954, for his 75th birthday, numerous celebratory festivals took place in both West and East Germany. After his death, the presence of his works in concerts has dramatically decreased.

In 1949, the composer's friend Rupert Egenberger established the Joseph-Haas-Gesellschaft, dedicated to Haas and his work.

As a teacher:
Haas was an important music teacher. Among his numerous students are composers and conductors, such as Otto Jochum (1898--1969), Karl Gustav Fellerer (1902--1984), Eugen Jochum (1902--1987), Karl Amadeus Hartmann (1905--1963), Karl Höller (1907--1987), Philipp Mohler (1908--1982), Cesar Bresgen (1913--1988), Ernst Kutzer (1918--2008), and Wolfgang Sawallisch (born 1923).

Category:

Music

Tags:

• joseph haas
• gewandhaus quartett
• streichquartett
• string quartet

[WatchBlueSkies]

@otterhouse Thank you Rolf . I am sure that there will come more soon from my collection, more music before 1930 ;-)

All the contemporary stuff from the GDR is not so much known here I see but it is my pleasure to set them online ;-)

[otterhouse]

Very nice find! Thanks again! Rolf