Yes, there was only so much time.....and it does make me wonder what might have been. She managed to cover a vast amount of music, so we can only be grateful. Speaking of deviations from her usual repertoire, lets not forget Suor Angelica, Adriana Lecouvreur and singing all three of the roles in Tales of Hoffman!
@Richiesutherland : The three ladies you mention, Milanov, Tebaldi and Callas, the three recorded very good Cs in their Giocondas studio versions. Callas in Votto 1952 studio version, Milanov in 1957 Previtali studio version and Tebaldi in 1967 Gardelli studio version. three very good Cs
Only Callas's C in her '59 recording is woobly and not so good, you know Callas voice in 1959 was very diminished
@Hako2004 Aida, Otello, Seraglio, Gioconda, Armida, Roberto Devereux, Vier letzte Lieder (*that* would've been something!)..the wishlist goes on and on! But, you also have to look at the other side of the coin. Sutherland *did* record a good number of the deviations from her standard fare of Lucias and Normas: Turandot, Esclarmonde, Le roi de Lahore, Lucrezia, Stuarda & Bolena, Semiramide, Beatrice di Tenda.. With only so much time, it's not possible to do everything. Turandot or Gioconda? :)
Pav had a big lyric voice. I have heard him live on two occasions( one other was with Sutherland, and he dominated the duets.). and once when he was sick, and I was still impressed with the sound. I love Marilyn Horne. She is extremely talented.
It does not suit Sutherland - her diction is so bad - go to Tebaldi for this -
her middle voice is mushy,
tebaldicallas 1 month ago in playlist YouTube Mix for Amilcare Ponchielli
Four roles....in Tales of Hoffman....lol.
Hako2004 5 months ago
@alithecrab
Yes, there was only so much time.....and it does make me wonder what might have been. She managed to cover a vast amount of music, so we can only be grateful. Speaking of deviations from her usual repertoire, lets not forget Suor Angelica, Adriana Lecouvreur and singing all three of the roles in Tales of Hoffman!
Hako2004 5 months ago
@Richiesutherland : The three ladies you mention, Milanov, Tebaldi and Callas, the three recorded very good Cs in their Giocondas studio versions. Callas in Votto 1952 studio version, Milanov in 1957 Previtali studio version and Tebaldi in 1967 Gardelli studio version. three very good Cs
Only Callas's C in her '59 recording is woobly and not so good, you know Callas voice in 1959 was very diminished
foratti 11 months ago
@kgarmaker123 : Tebaldi sings a great C in Gioconda 4th act trio in her studio version recorded in 1967 with Marilyn Horne
foratti 11 months ago
wow......La Sutherland was an ugly prognathic dame.......
papoocanada 1 year ago
@Hako2004 Aida, Otello, Seraglio, Gioconda, Armida, Roberto Devereux, Vier letzte Lieder (*that* would've been something!)..the wishlist goes on and on! But, you also have to look at the other side of the coin. Sutherland *did* record a good number of the deviations from her standard fare of Lucias and Normas: Turandot, Esclarmonde, Le roi de Lahore, Lucrezia, Stuarda & Bolena, Semiramide, Beatrice di Tenda.. With only so much time, it's not possible to do everything. Turandot or Gioconda? :)
alithecrab 1 year ago
@Richiesutherland Really? How can Ponchielli be boiled down to one High C?
kgarmaker123 1 year ago
Sutherland was the best Lucrezia I have ever heard, and I have no doubt she would have been fantastic in La Gioconda, if she had gotten around to it.
Hako2004 2 years ago
Pav had a big lyric voice. I have heard him live on two occasions( one other was with Sutherland, and he dominated the duets.). and once when he was sick, and I was still impressed with the sound. I love Marilyn Horne. She is extremely talented.
kgarmaker123 2 years ago