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Cesar Camargo Mariano & Michael Brecker -Pt1 - 1997 - Brazil

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Uploaded by on Dec 22, 2007

SONGS:

00:00 02:20 NAKED SOUL
02:20 08:19 SONG FOR BILBAO

Cesar Camargo (P)
Romero Lubambo (G)
Mark Walker (D)
Leo Traversa (B)
Michael Brecker (S)

In 1997, Mariano Quartet invited american saxophonist Michael Brecker to participate of "Heineken Festival" in São Paulo, Brazil.

Cesar Camargo Mariano Pianist, arranger, composer, and producer is one of Brazil's most celebrated and sought-after musicians. In the early '60s, just as the bossa nova was taking its baby steps toward enchanting the world, a teenage Cesar became famous for his ability to swing and for his now-legendary left hand.

His ensembles of that era, notably Sambalanço Trio and Som Tres, are regarded as high points in Brazilian jazz; so is his 1981 album Samambaia, one of his thirty-plus instrumental albums.
Cesar's collaborations with many of Brazil's most important singers, notably Wilson Simonal and Elis Regina, have brought him worldwide acclaim; the historic 1973 album Elis and Tom, made with Antonio Carlos Jobim, features Cesar as arranger, pianist and musicial director. Since then, Cesar -- who now lives in US -- has worked with an international array of giants, from Yo-Yo Ma to Blossom Dearie; he has also composed a wealth of soundtrack music for film and TV.
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Em 1997, com seu Quarteto, convida o saxofonista americano Michael Brecker e a cantora Dianne Reeves para a noite sob seu comando no "Heineken Festival", em São Paulo

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Music

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  • musica brasileira, a melhor do mundo.

  • thanks for this henryalliance =)

  • It's always good to hear a master demonstrate his art for the younger players. This is one of countless examples of Michael Brecker guiding us with the light of his life!

  • GOOD MUSIC, caesar camargo mariano and miche Brecker rulessss

  • caesar camargo mariano rulessss!

  • Beautiful tune !)

  • Crazy

  • Thanks for this Mikeassist...awesome man...Michael Brecker will be missed..love his sax playing...one of the best in my opinion.

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