THIS PART IS FOR YOUR FAVORITES! Please discuss this artist with your comments!
Cesare Siepi, Bass (sometimes reffered to as Bass-Baritone) (born 1923)
Wolfgang Amadeus Mozart - Le Nozze di Figar...
THIS PART IS FOR YOUR FAVORITES! Please discuss this artist with your comments!
Cesare Siepi, Bass (sometimes reffered to as Bass-Baritone) (born 1923)
Wolfgang Amadeus Mozart - Le Nozze di Figaro Se vuol ballare, Signor contino... Conducted by Erich Kleiber (Recorded 1954/55)
My personal opinion: It´s always the same old story: For some opera-lovers their personal idol is "The Greatest of them all", a spirit disposition we know with the "Claque" around Callas, Corelli, del Monaco and in present time Flórez and other usual suspects. If one decide to create a project like "100 Singers", first one have to put aside all subjective exuberances and blind admirations. For the first part I decided, to compare different singers with one another. And so, I took Ezio Pinza and left Cesare Siepi out. The reasons are evident: Pinza was the more precise and accurate singer. For instance: Méphistophélès "Le veau d´or" from Gounod´s "Faust". Of course, Siepi´s voice was more dramatic, darker, sinister and diabolic, but Pinza always was more musical, surer in staccato eight notes. Maybe Siepi gave more effect with his masculine power, Pinza was the better musican, the better "singer" in the true sense of the word. And so it´s up to an admirers heart to decide... Siepi, born 1923 in Milan, was an autodidact and began singing as a member of a madrigal group. In 1941 he gave his debut as Sparafucile. The war interrupted his early operatic career, but after he earned success at Teatro La Fenice in Venice (Zaccaria in "Nabucco"), an engagement at La Scala followed - and Verdi became his favorite composer. Even in the great Verdi-parts, Siepis sound never was sonorous as Pinza`s was, in King Philipp´s great monolog "the tone wasn´t rich and flickers with long notes (Kesting)". John Steane wrote: "Siepi possessed a giant voice and he was a good actor. But even on his 78rpm-recordings he sounded choppy and without grace." A different review: "His Don Giovanni" is one of the most outstanding music-theatre events of the 20th century!". "On stage, his tall, striking presence and his great elegance of phrasing made him a natural Don Giovanni" wrote Wikipedia. Actually in most of his "Giovanni-recordings" (1953 Furtwängler, 1954 again with Furtwängler live from Salzburg, 1955 with Josef Krips, 1956 live with Mitropoulos from Vienna, 1957 with Böhm live from the Met, 1959 with Leinsdorf in a studio-performance) he´s in a good form: After a critic´s word "excellent in the cantabile of the serenade, full of verve in the champagne-song, agile and fiery in the recitatives!" It seems, Mozart was his true domain. Likewise his Figaro is a special showpiece for Siepis exuberant art and fine refinement of phrasing. In his first aria "Se vuol ballare signor contino" Figaro explained the audience, he is not in a joking mood and his master, the Count better consider it. Siepi gave the standard for the Mozart-Figaro: A rebel, cunning and certainly not inactive... Here is the wonderful short scene (and by the way: Obviously it´s the pattern for Hermann Prey´s interpretation of Figaro) from the famous 1955-recording with Erich Kleiber. IMO Cesare Siepi never was more convincing on records! 62 votings and a great position 9 for this remarkable singer. And a last note: OK, the picture is "Don Giovanni", but I don´t want to add again another Siepi-scene from this opera...
Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
This video has been removed from your Favorites. (Undo)
Like to Favorite videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
I have to respectfully disagree with your comparison of Pinza and Siepi. I am a fan of Pinza, but I feel that he was not as consistent of a singer, as Siepi was. Pinza does have these moments of a god among men, but then there are moments where he sounds like a street singer (a Cappuccilli syndrome) You also commented that Pinza was a better musician. This is strange because Pinza himself admitted that he couldn't read music, but had to learn by rote. I enjoy your posts, but I have to disagree.
Welcome back,Mike! Great to see you again..Siepi was the singer who made Don Giovanni one of the opera roles whom I would always like no matter who's singing it..Excellent choice..Dark beautiful bass..a good vocal actor better in characterisation than Nicolai Ghiaurov. Yup,I agree his Sparafucile wasn't memorable but I think the Verdi roles he recorded were not as memorable as the Mozart ones because of the sound rather than him..I prefer his Filippo to Ghiaurov's..He's more dramatic..
Actually Siepi didn´t sing Figaro 1953 in Salzburg with Furtwängler - I´ve made a mistake. You´re absolutely right, it was Erich Kunz and the live-recording was dated August 11th 1953. Sorry for this, immediately I will correct my fault in the sidebar. Thanks a lot, Mike
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Beautiful voice color, strange staccato here.