Martin Spitznagel & Sue Keller ragtime piano duet
Uploader Comments (rtpress)
All Comments (8)
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Brilliant :D !!
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When you play in the dark, you're forced to rely on your instinctual knowledge of the instrument. Some things are harder: very technical runs, that kind of thing, but listening to yourself becomes much easier because that's all you can do! I love playing at night.
Improvisation involves a certain amount of fearlessness, I think; a willingness to fail. I was leading the 6/8 Entertainer because I'd played it that way before and Frederick hadn't, but he's so good, it didn't matter much.
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Years ago, in college, a fellow student and I sat at a piano in a dark auditorium and tried four-hand improv. It worked, but I don't know how we did it. For me, maybe it was the dark. For him, dark didn't matter, but perhaps his ability in improv was helped by being unable to sight-read. Blind pianists cannot sight-read much. There certainly wasn't any looking at each other!
Your 6/8 Entertainer (recorded at the WCRF last November) sure looks like Spitz as lead and Hodges as follow. Right?
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There's some communication via a look - checking a transition, etc. - but the real trick is in learning to listen as you play. Sometimes you'll sit down beforehand and play through it, but most of the time you're going at it fresh. The most advanced at it are Barnhart/Holland, who can trade single measures at rocketship speeds, but that's b/c they've been doing it for 10 years. The best stuff is made by the performers who are good listeners, reacting and responding real-time to one another.
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Very nice!
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Brilliant!
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Howard! Thank you so much for posting this and the other videos. What fun! And what a great service to all the performers you did - I love being able to watch these and go back in my mind to that wonderful week. I can't tell you how much fun it was to rock out with Sue on "Dill Pickles." Thank you again :)
-Martin
I'd like to know how these four-hand arrangements are constructed. Is it all worked out as sheet music (available somewhere?) beforehand, or put together and practiced by the two performers shortly before the performance, or is it just total improv? I've seen a bit of that, like Spitz and Hodges doing a four-hand improv on a rag, and in 6/8, of all things.
amazing763 2 years ago
I think its all done by esp. Looks like every time their eyes meet, they lock into some kind of data exchange.
Howard
rtpress 2 years ago