This is an independent evaluation by members of CREWS.TV of the Panasonic AG AF 101/102 micro 4/3 camera.
This test was done purely as an experiment to evaluate its performance as a Film making /Television production tool. We did not test it against charts or other cameras, we simply took it for a test drive in what we thought would be its optimal conditions. Our goal was not to find its faults or decide its place in the market nor was it to choose sides in the ever political best camera debates. We are cinematographers who love their craft and love the tools that give us this ability.
We only had the camera for a few hours so we decided to keep it simple.
The camera is capable of 35mm lenses, so we used a PL adapter and Zeiss Ultra Primes , choosing from our set as we saw fit on the day. We chose to record on the on-board SD cards with the AVCHD codec at 24 mbs but we also opted to use the HDSDI output, recording at 100 mbs on the AVC Intra HD codec to P2 cards. We opted to do this rather than recording to Nanoflash simply to keep it all Panasonic native.
We chose this work-flow as we simply wanted to see this camera in the very best light possible.
We also had a sound recordist on location who used a dual channel radio link to the camera via its standard XLR inputs.
This is a prototype, so there were some technical issues, Panasonic assured us that it would be rectified in the production model. Our test scenes had to be limited to indoor locations as a consequence. It was a temperature related issue.
This footage is edited from the 100mbs files, ingested and edited natively mainly because it was easy. This footage was not graded, altered or manipulated, straight off the files and exported to Vimeo for your viewing pleasure. In fact we even used the natural sound rather than using music so that you can evaluated the footage for yourself.
A full report on our website crews.tv
Click here to read it AF-100 storm gathers. crews.tv/blog/2010/10/12/af100-storm-gathers/
Coming soon
Behind the scenes video
Full length video
Graded version
Editor's notes
Sound Recordist's notes
Cheers and thanks
Yves Simard
CREWS.TV is a collective of professional TV freelancers.
Our tech feed is on facebook
facebook.com/home.php?src=fftb#!/pages/CREWSTV/108160675896487
Cinematographer
Matt Meikle
Assistant Camera
Joe Lawry
Grip
Dimi Nakov
Sound Recordist
Nick Treacy
Model/Actress
Victoria Williams
Photographer / Actor
Michel Perrin
Editor
Simon Coldrick
Thanks to
Metro Film
Panasonic New Zealand
Rick Haywood
Pete Fullerton
All you points are valid. The bottom line is the end result. Yes, I love the fact that it is a video camera and has options the 5D does not. But the bottom line is the end result. The 5D picture is better I have not shot with the AG-100 You claim that the size of the sensor makes not difference. I am sorry, but I have to disagree with you here The world waits for a video camera body like this 4 2 2 50 MBPS 10 bit. with a full frame sensor. Basically the 5D sensor inside the AF-100
scotjay 2 weeks ago
@scotjay #1 that was over a year ago, #2 its just an opinion #3 you can decide when you try one. You wont see much difference on YouTube. 422 10 bit 50 mbs, even 2/3 looks great. Good luck to ya thanks for your comment.
crewstv 2 weeks ago
Close your eyes and just listen to the talk, it sounds like one of those youporn clips =P
AdmirSarajevo 11 months ago 11
@AdmirSarajevo ha ha - I wouldnt know
crewstv 11 months ago
@AdmirSarajevo ha ha - I wouldnt know
crewstv 11 months ago
Was that a real photographer? Ever heard of strobes instudio? Video photoage looks good... but c'mon ... the editing and presentation was weak.
EmpireOneMedia 1 year ago
@EmpireOneMedia have a read in the vimeo posts - there is good reason why its so basic if you are more curious than critical
crewstv 1 year ago 6