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Art Ford's Jazz Party ( 09 18 1958 ) : Part 1 - The Roundtable

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Uploaded by on Oct 27, 2009

One of the great synthesizers in modern jazz, Teddy Charles was a talented vibraharpist who made important contributions as a composer and an organizer of musical ideas. His trio and quartet recordings for Prestige in the early 1950s pointed the way toward experimental approaches that many other musicians later adopted. Although they deal with standard songs,

Mary Osborne (July 17, 1921 March 4, 1992) was an American jazz electric guitarist.
Osborne was born in Minot, North Dakota. She learned violin as a child and could also play guitar and bass by age 15. She heard Charlie Christian play in Al Trent's band at a stop in Bismarck, North Dakota; Christian became one of her most prominent influences. She went on to tour with Buddy Rogers, Dick Stabile, Terry Shand, Joe Venuti, and Russ Morgan, and recorded with Mary Lou Williams, Beryl Booker, Coleman Hawkins, Mercer Ellington, Ethel Waters, and Wynonie Harris. From 1952 to 1960, she was featured on Jack Sterling's CBS radio show. Later in life she settled in Bakersfield, California, where she died, and only performed occasionally, though she would play jazz festivals into the 1990s.

Morey Feld (15 August 191528 March 1971) was an American jazz drummer born in Cleveland, Ohio, perhaps best-known for his work with the bands of Ben Pollack (1936), Benny Goodman (1943-1945), Eddie Condon (1946), Bobby Hackett and Billy Butterfield. In 1960 Feld moved to Denver, Colorado and worked with Peanuts Hucko's quintet.


Art Ford's Jazz Party 09 18 1958 The Roundtable

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Uploader Comments (MisterStereo)

  • I can see a lot of Hawk standing on the stage during these vids from the party, but not a lot of him playing... in other words - could you tell me in which parts he plays?

  • @matoflash The Hawk is featured in Part 9 of this episode.

  • @MisterStereo Thank you. I noticed him also playing couple choruses during this Roundtable, so I just wondered. Thanks!

  • @matoflash Welcome-enjoy.

  • Mary takes a great solo. I also just finished the VIntage guitar feb 2011 issue..and the best thing in it was the article on Mary Osborne. made me find an LP with her and Mary McParland, and also a japanese record with her starring on it that cost me a small fortune. First time seeing her. What a kick!

  • @sclogse1 She certainly is a good electric guitar soloist.

    Another tune she solo's is "Spotlight" that I uploaded recently.

    Great Jazz!

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  • @diddlytube Very interesting - will have to read the article if I can.

  • There's a well-done and substantial bio about Mary in this month's issue of Vintage Guitar magazine, if anyone's interested. She was acquainted with and influenced by Charlie Christian, but had her own thing going on. Mary had to be able hang, just to hang around the jazz boys' club in those days, and she definitely could hang.

  • @sseklof Quite welcome.

    Mary Osborne was quite a talented musician. I also enjoyed her solo - terrific playing and, in a way, it was a statement of the respect held by her fellow musicians!

  • This is so cool! Mary is the only female instrumentalist I have seen in footage from this era. Female singers, yes, but not players. All these 50's jazz cats and Mary just comping away there in her white dress, then she jumps in with a solo that swings as cool as any I've ever heard. Wow! She's fantastic! Thanks for posting.

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