Redneck Mother

Stereo: http://www.youtube.com/watch?v=J0cyZPR-4qs&fmt=18

Buck Norris sings "Redneck Mother by Jerry Jeff Walker.
Jerry Jeff Walker is strongly associated with the progressive ("outlaw") country scene that centered around Austin, Texas, in the 1970s and included such figures as Willie Nelson, Guy Clark, Billy Joe Shaver, the Lost Gonzo Band, Waylon Jennings,and Townes Van Zandt.

Ironically, however, Walker is not a native Texan. He was born Ronald Clyde Crosby in upstate New York and recorded his first several albums while living in New York City. He didn't move to Austin until 1971, but he's remained a major figure in the area ever since. Walker has been quoted as saying, "the first time I set foot in Texas, particularly in Austin, I knew I was home."

Walker first recorded with the folk-rock group Circus Maximus for Vanguard in 1967. The band split after its second album, and Walker signed with Atco and released his first solo album, Mr. Bojangles, in 1968. He is, for better or worse, best known as the writer of "Mr. Bojangles," an enduring pop classic he wrote at the after meeting a street singer named Bill "Bojangles" Robinson in a New Orleans drunk tank. His version of "Bojangles" never hit it big, but the Nitty Gritty Dirt Band's rendition made the Top Ten of the pop charts in 1971.

In 1972 Walker signed with Decca/MCA and released a self-titled album that included his version of Guy Clark's "L.A. Freeway," and "That Old Time Feeling," along with his own "Hill Country Rain," his reputation for being a "gypsy songman" found its roots in this outing. His best-known album from the period, however, however, is Viva Terlingua, which he recorded in 1973 in the tiny Texas town of Luckenbach with the Lost Gonzo Band. The album went gold, and it's his biggest-selling album to date. His subsequent recordings of the 1970s, particularly It's A Good Night For Singing, Ridin' High and A Man Must Carry On solidified Walker's reputation for being not only a great songwriter, but a wonderful interpreter of the work of his peers, and for being the greatest example of the living embodiment of "cosmic cowboyism."

Walker was a hard partier throughout much of his career (his friends called him "Jacky Jack"), and this reputation became part of his identity. He's since cleaned up his act -- in part thanks to his wife, Susan, whom he married in 1974 -- and he's continued to record steadily into the 1990s. He released a couple albums on Elektra/Asylum in the late '70s, but remained mostly with MCA until his 1982 album Cowboy Jazz -- a record that became his last for any major label. The Elektra recordings, Jerry Jeff and Too Old Too Change were undervalued during their heyday, and have been proved to be among his most adventurous and enduring recordings thanks to a Wounded Bird twofer reissue on CD in 2003. Walker as evidenced by these recordings, was the only one of his peers --with the possible exception of Willie Nelson-- who unrelentingly sought change and development in his sound. It didn't helpwith a country music industry completely hoodwinked by (sub)urban cowboyism and a pop market less receptive to organic American music than at any time in its history. In 1985, however, he showed the industry he could live without their help and released the first of a series of self-made cassettes, Gypsy Songman, many of which he sold via a mailing list that has grown to more than 40,000 strong. In 1987 Walker worked out a deal with Rykodisc that released his CDs until 1996 when their partnership ended. He has since continued to market his material on True & True through his web site and live shows. While Walker's Tried & True issues have not been as critically regarded as his earlier work, they are compelling, occasionally brilliant, always written from the perspective of where his gypsy songman is at this particular musical moment.

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• Norris
• Classic
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• Walker