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King Oliver's Creole Jazz Band - Dippermouth Blues (Sugarfoot Stomp) 1923

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Uploaded by on Apr 12, 2009

Joe "King" Oliver (Dec.19,1885 - April 10,1938) was a jazz cornet player and bandleader.

He was particularly noted for his playing style, pioneering the use of mutes. Also a notable composer, he wrote many tunes still played regularly, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. Two of Armstrong's most famous recordings, "West End Blues" and "Weather Bird", were Oliver compositions. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today".

Joseph Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, and moved to New Orleans in his youth. Oliver played cornet in the New Orleans brass bands and dance bands and also in the city's red-light district, Storyville. The band he co-led with trombonist Kid Ory was considered New Orleans' hottest and best in the 1910s. Oliver achieved great popularity in New Orleans across economic and racial lines, and was in demand for playing jobs from rough working class black dance halls to white society debutante parties.

According to an interview at the Tulane's Hogan Jazz Archive with Oliver's widow Stella Oliver, in 1919 a fight broke out at a dance where Oliver was playing, and the police arrested Oliver and the band along with the fighters. This made Oliver decide to leave the Jim Crow South.

By 1922, after travels in California, Oliver was the jazz king in Chicago, with King Oliver and his Creole Jazz Band performing at the Royal Gardens. Virtually all the members of this band went on to notable solo careers. Personnel were Oliver on cornet, his protegé Louis Armstrong, second cornet, Baby Dodds, drums, Johnny Dodds, clarinet, Lil Hardin, on piano, Honore Dutrey on trombone, and Bill Johnson, bass and banjo. Recordings made by this group in 1923 demonstrated the serious artistry of the New Orleans style of collective improvisation or Dixieland music to a wider audience.

In the mid and late 1920s Oliver's band transformed into a hybrid of the old New Orleans style jazz band and the nationally popular larger dance band, and in 1926 was christened "King Oliver and His Dixie Syncopators". Although he suffered from gum disease which started to diminish his playing abilities, Oliver remained a popular band leader through the decade.

The Great Depression was harsh to Oliver; he lost his life savings when a Chicago bank collapsed, as he struggled to keep his band together on a series of hand-to-mouth gigs until the band broke up and Oliver was stranded in Savannah, Georgia, where he worked as a janitor at Wimberly's Recreation Hall and died in poverty at a rooming house).

As a player, Oliver took great interest in altering his horn's sound. He pioneered in the use of mutes, including the plumber's plunger, derby hat, and bottles and cup in the bell of his horn. His recording "WaWaWa" with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques.

Oliver was also noted as a composer, having written many tunes still regularly played, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". Two of Armstrong's most famous recordings, "West End Blues" and "Weather Bird", were Oliver compositions.

Oliver performed mostly on cornet. Oliver credited Buddy Bolden, as an early influence. Oliver, in turn, was a major influence on many younger musicians in New Orleans and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Louis Panico, Johnny Wiggs, and most famously Louis Armstrong.

Armstrong called Oliver "Papa Joe" and referred to Oliver as his idol and inspiration all his life. In Armstrong's autobiography, "Satchmo - My Life in New Orleans", he writes about Oliver: "It was my ambition to play as he did. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today. He was a creator in his own right."


King Oliver's Creole Jazz Band - Dippermouth Blues (Sugarfoot Stomp) 1923

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Uploader Comments (edmundusrex)

  • This is the May 29 1927 version of Sugar Foot Stomp. King Oliver and his Dixie Syncopators.

  • I'm shure, you're right - thanks.

Top Comments

  • KIng Oliver's Creole Jazz Band first recorded this in 1923. It was co-written with 22 yr-old Louis Armstrong (the new kid on the block).

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  • I got to play joe oliver in the school musical We Haz Jazz and now he's my fave

  • Best version ever.

    Hans

    Amsterdam

  • @cherrrianna me too.. I'm in love with the 20's

  • I wished I'd lived in those times .

  • Princess and the Frog brought me here.

  • cari amici jazzisti di tutto il mondo o semplicemente visitatori di questo canale: questa si può chiamare veramente MUSICA! altro che Lady Gaga! questa è anima vera, parte indispensabile per creare musica jazz! si dia il caso che comunque sia musica blues il derivato del jazz che a tutt' oggi è ancora amato e ascoltato. coloro che osano chiamare "Casino" questo brano non capiscono nulla di musica. non vorrei essere volgare,ma perdinci! c'è ritmo che fa saltare sulla sedia anche a paralitico.

  • @omarkbrown What is being said is "Oh Play that thing!" Legend has it that there originally was supposed to be a drum break there. However the first time they recorded it the drummer - Baby Dodds - missed it so the banjo player jumped in and shouted , "oh play that thing". That was the take released and every band that has played the song since has shouted the same words when they get to that part of the song. At least that's the legend.

  • what do they say at 2:08?

  • This version was not recorded in Richmo0nd, Indiana in April, 1923 or in Chicago in june of 1923. This is not the Creole Jazz Band this is much later re-recorded version by a King Oliver Band line-up later in the 1920s

  • Majestät.....ist Herr Oliver nicht am 11. May 1885 geboren ?

    ORDIX44 grüßt aus DD

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