Haydn Symphony No 22 E flat major 'The Philosopher' - Minkowsy Mvt3&4.avi

Symphony No. 22 in E-flat major, Hoboken I/22, is a symphony written by Joseph Haydn in 1764. Nicknamed "The Philosopher" ("Der Philosoph"), it is the most widely programmed of Haydn's early symphonies.
Haydn composed this symphony during his tenure as assistant Kapellmeister at the court of Prince Nikolaus Eszterházy. Written in 1764, the symphony uses a sonata da chiesa movement layout, although the language of the piece foreshadows the development of classical symphonism. As with other early Haydn symphonies that use this tempo scheme, all of the movements are in the same key. Three of them are in sonata form (the first, second, and fourth) and the remaining third is the customary minuet and trio in ternary form.
As with all the named Haydn symphonies, the title "Philosopher" was not Haydn's own; it was, however, commonly used in his own lifetime. The title is thought to derive from the melody and counterpoint of the first movement (between the strings and cor anglais), which musically allude to a question followed by an answer and paralleling the disputatio system of debate. The piece's use of a muted tick-tock effect also evokes the image of a philosopher deep in thought while time passes by.
Like other symphonies composed around this time, the work was written for the small number of players (less than twenty) on retainer at the Esterházy court. The scoring is unusual in its use of two cor anglais (English horns) in place of the more common oboe. The rest of it stays true to convention with two bassoons, horns, timpani, continuo (harpsichord) and strings. The horns play a prominent role in all but the second movement, and Haydn's choice of E flat major may have been dictated by the fact that the valveless horns of the time sounded best when played as E flat instruments (that is, with E flat crooks inserted).
The symphony is in four movements:
1. Adagio, 4/4
2. Presto, 4/4
3. Menuet e Trio, 3/4
4. Finale: Presto, 6/8
The first movement is the highlight of the symphony and features horns answered by cors anglais over a walking bass line. H. C. Robbins Landon calls it "surely one of the settecento's supremely original concepts".

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