Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

J.S. Bach - BWV 582 - Passacaglia c-moll / C minor

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
37,502
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Oct 10, 2010

Passacaglia & thema fugatum c-moll / C minor BWV 582

composed by J.S. Bach (1685-1750)
performed by Andrea Marcon, organ

click here for complete playlist: http://www.youtube.com/view_play_list?p=81F6CFF5713616B9

Category:

Education

Tags:

License:

Standard YouTube License

Link to this comment:

Share to:
see all

All Comments (118)

Sign In or Sign Up now to post a comment!
  • Come listen to Bach - find argument about Jews. Oh Youtube...

  • @Dirkovic80

    Wait... so now all of Hitler's rein was just inflated propaganda by Jews? What are you talking about? Germany is a great country, and German composers are some of the most respected in the world, but you can't deny that Germany had some dark days. Also, as much as I'm sure Bach loved Germany, I doubt he hated other countries as much as you seem to. He probably would have been glad if his music had drawn in other people, if only so more could experience 'the glory of god'.

  • How.

  • So l33t!

  • @gabriellando Bach is as much subject to preference as any other musician, his music is more involved than nearly every musician than has ever lived, but "the perfection of human creativity" is still a musician. If you enjoy listening to his music then he is a good composer.

  • any details on the recording? also would like to know which temperament this is

  • Andreea Marcon es uno de los dos o tres escogidos.

  • One of the greatest mankind's genius for sure!

  • @russedav5

    PS

    See virtuallybaroque. com for a good rendering.

    ww w. virtuallybaroque. com/ trak1428. htm

    Delete inserted spaces to get the correct url.

  • Thanks!. Most wrongly call it Passacaglia & Fugue as if it were like the Prelude/Tocatta/Fantasie & Fugue pairs, rather than the single piece it is, the final Passacaglia iteration being a fugue, but too quickly in this performance, for as the notation shows the final chord of the Passacaglia proper should have time to die away to leave the initial C of the Fugue subject alone to sound as that subject proceeds. Bach's conterpoint mastery being profound. The Neapolitan should have a cadenza.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more