Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Grateful Dead "baba o'reilly" Live Who Cover SBD 12-17-1992

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
7,405
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Sep 20, 2008

http://www.DeadTix.info

Grateful Dead "baba o'reilly" Live Who Cover SBD

"Baba O'Riley" is a song by the English rock band The Who, written by Pete Townshend. Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/don't raise your eye/it's only teenage wasteland". The title of the song is derived from this combination of the song's philosophical and musical influences: Meher Baba and Terry Riley

Townshend originally wrote "Baba O'Riley" for his Lifehouse project, a rock opera that was to be the follow-up to The Who's 1969 opera, Tommy. Townshend derived the song from a Lowrey berkshire home organ experimental recording, which the band reconstructed. "Baba O'Riley" was going to be used in the Lifehouse project as a song sung by Ray, the Scottish farmer at the beginning of the album as he gathers his wife Sally and his two children to begin their exodus to London. When Lifehouse was scrapped, many of the songs were released on The Who's 1971 album Who's Next. "Baba O'Riley" became the first track on Who's Next. The song was released as a single in several European countries, but in the United States and the United Kingdom was only released as part of the album.

Drummer Keith Moon had the idea of inserting a violin solo at the coda of the song, during which the style of the song shifts from crashing rock to an Irish folk-style beat. Dave Arbus, of East of Eden, plays the violin in one of the most recognizable solos in popular music. In concert, lead singer Roger Daltrey replaces the violin solo with a harmonica solo. The Who have produced a live version of the song with a violin, provided by Nigel Kennedy, during their 27 November 2000 concert at the Royal Albert Hall.

Noted for its innovative fusion of the Who's hard rock sound and early electronic music experimentation by Townshend inspired by minimalist composer Terry Riley, and for its crashing chorus coupled with repeating F-C-Bb power chords, the song has been a perennial favorite on classic rock radio stations as well as a concert staple for the band.

The song's iconic backing track was derived from deep within the Lifehouse concept. Townshend wanted to input the life information of Meher Baba into a synthesizer, which would then generate music based on that information. That music would have been the backing track for "Baba O'Riley," but in the end, the frenetic sequence was played by Townshend on a Lowrey Berkshire Deluxe TBO-1 organ using its marimba repeat feature.[2]

Although they never actually did it in concert, The Who considered pulling a person from the audience and programming their vital statistics into a synthesizer that would, in effect, translate that person into a musical theme around which a song could be built (an idea recently resurrected as the Lifehouse Method).


The teenage waste land!

Link to this comment:

Share to:
see all

All Comments (26)

Sign In or Sign Up now to post a comment!
  • If I wanted to see those fancy array of colors I would just take some acid, why must they have those cheesy effects in the video. Otherwise, sounds great.

  • Best Vince vocals I have heard. They played this as a closer, Rich Stadium 92 or 93... after "They're all wasted", they went into Beatles' Tommorow Never Knows"

  • I think Vince's voice on the contrary is pretty fine here..as is the rest of the band and the arrangement

  • ...everybody is entitled to their opinion...no accounting for taste...but remember - the Dead NEVER "covered" another band's music. They just took what was out there, "gratefully deadicated" the songs, and let it fly...Sometimes the recordings are not perfect , it was done live without remix, overdubs or electronic tweaking- just like the scars on fine leather - a reminder of the authenticity (apologies to the Woodstock album liner notes)

  • uhm..I like it... there's nothing wrong with it.

  • fucking horrible !

  • Ok, I listened to the soundboard on archive and I have to say you're right, it IS Vince but I still love phil's voice!! <3

  • Yeah, I had just realized that after I hit post. My bad.

  • Come on it was vince singing

  • Listen to the music play.....

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more