This Frederick Ashton work choreographed for Dame Margot Fonteyn in 1940 was filmed in 1970.
What strikes me as much as anything else are the curious hand movements - the hands weave around each other in almost serpentine arabesques.
Michael Somes is the talking head - and tells, very touchingly, how lovely the ballet was to dance with Fonteyn.
hi carles03 - yes, i have read this about the origins of the hand movements - i think ashton was observing a woman on a train during the war and that he was in the company of dancers. must look up the details of this. thanks for sharing!
nickwallacesmith 5 months ago
Apparently the hand movements came from Ashton watching a woman who kept gesturing nervously with her hands, while waiting or something (sorry, I can't remember the exact quote, but I believe it is in David Vaughan's book). Also the serpentine arabesques come from the influence for the whole piece of Baroque architecture.
carles03 5 months ago
hi balletnut - would have loved to see this too - fonteyn came to australia and did a number of things with scottish ballet (a compilation company i think) that she hadn't done elsewhere for years - 'nutcracker' and la sylphide'. ashton said he got the idea of the hand movemnets from watching a woman on the tube, cheers
nickwallacesmith 7 months ago
I do wish I'd seen her in this.
I agreed with you Nick about the hand movements - they are extraordinary.
balletnut 7 months ago
hi Qbendanny - yes, she often did things with such simplicity that at first i don't see the beauty - lovely quiet understatement
nickwallacesmith 10 months ago
Da Vinci, Giotto would cheer. Margot could make a simple tombe pas de bouree so perfectly beautiful and significant.
Qbendanny 10 months ago