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She happens to be the 9th genaration of veena player, who is a direct disciple of her grandfather Shri Sambasiva Iyer. Her daughter, Sreevidhya Chandramouli, continues the tradition.
We are very sorry to let you all know that our mother, Smt. Raajeswari Padmanabhan passed away on Aug 15, 2008. Thanks a ton for loading her videos here for the world to see.
Her sons - SundarRajan Padmanabhan, Maheshwaran Padmanabhan and daughter - Sreevidya Chandramouli.
Like most vainikas, they sang while playing the instrument. Taanam is a specialty of this tradition and the brothers excelled in it. Rajeswari Padmanabhan trained with Sambasiva Iyer for her first fourteen years.She further contributed to the traditional repertoire considerably, especially with her association with Mysore Vasudeevachar, and also further refined the technical aspects of performing on the instrument without deviating from the Karaikudi baani..
The Karaikudi Bani From the Tanjavur tradition emerged another highly regarded baani (style) from the Karaikudi family. Two representatives, brothers Subbarama Iyer and Sambasiva Iyer, were considered to be incredible veena performers at the turn of the century. They usually performed together and were considered to be very mature and serious musicians. The elder brother, Subbarama Iyer, held the Veena vertical (no longer practiced) and Sambasiva Iyer held in the way we see it held today.
what is karaikudi bani? i heard about tanjaore, kerala, mysore and andhra.. is it a variety of tanjaore?? nut this is more grand in the style and the sound... while kerala bani has lot of influence of north indian??
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Her daughter, Sreevidhya Chandramouli, continues the tradition.
Her sons - SundarRajan Padmanabhan, Maheshwaran Padmanabhan and
daughter - Sreevidya Chandramouli.
From the Tanjavur tradition emerged another highly regarded baani (style) from the Karaikudi family. Two representatives, brothers Subbarama Iyer and Sambasiva Iyer, were considered to be incredible veena performers at the turn of the century. They usually performed together and were considered to be very mature and serious musicians. The elder brother, Subbarama Iyer, held the Veena vertical (no longer practiced) and Sambasiva Iyer held in the way we see it held today.