Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Mozart: Symphony No. 29 / Abbado · Berliner Philharmoniker

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
10,343
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Oct 19, 2011

Full-length concert at http://www.digitalconcerthall.com/concert/70

Wolfgang Amadeus Mozart: Symphony No. 29 in A major, K. 201 / Claudio Abbado, conductor · Berliner Philharmoniker / Recording from the European Concert at Smetana Hall, Prague, 1 May 1991

The Berliner Philharmoniker's Digital Concert Hall:
http://www.digital-concert-hall.com

Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter

Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de

  • likes, 2 dislikes

Link to this comment:

Share to:

Top Comments

  • @pointreyes6 obviously you have never played in an orchestra

  • Abbado may be 20 years younger here, but he's somehow not 20 years older now.

see all

All Comments (21)

Sign In or Sign Up now to post a comment!
  • Old indeed, this recording is 20 years old

  • This is one of the most beautiful symphonies Mozart wrote.

  • Abbado conducts often now without a baton (eg the Brandenburg concertos), but in my opinion he looks more "right" with the baton - in combination with that very expressive left hand. What a strange discussion, batons or not batons....

  • looking at the baton and what the conductor does during the performance is only the tip of the iceberg of the music that comes out of the orchestra.. obviously, some people don't realize that rehearsals occur, and that's where most of the conductor's job happen.. so don't say that the baton is pointless or else i'll throw one at you..

  • @SharpWMusic That's exactly why conductor don't have two batons. Look at the way Abbado conducts. On parts that require more precise control, he motions with his baton more. When he wants a softer sound, in comes his left hand....isn't it pretty obvious?

  • @SharpWMusic Baton's can be controlled to a fine extent. Precision is the advantage of using a baton. Using your hands more, insinuates choral conducting. Hence, the orchestras sound will be more singing. I've heard this ALL my life. 

  • @kehwa How can that effect the sound of the musicians playing their parts? Because i've never heard of anything like that.

  • @pointreyes6 You have a narrow view of conducting. Any good conductor can conduct with and without a baton. Conducting with and without a baton can directly affect the sound. If you don't realize that, you're a narrow minded musician.

  • @mindbodylightsound10 this was a recording from may 1991 (in the description), which is 20 years ago and that explains the hair colour! :)

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more