Vllezërit Dervishi Shtat Bilbilat

Këngë Kërçovare
Albanian folk music falls into three sylistic groups, with other important music areas around Shkodër and Tirana; the major groupings are the Ghegs of the north and southern Labs and Tosks. The northern and southern traditions are contrasted by the "rugged and heroic" tone of the north and the "relaxed, gentle and exceptionally beautiful" form of the south. These disparate styles are unified by "the intensity that both performers and listeners give to their music as a medium for patriotic expression and as a vehicle carrying the narrative of oral history",[1] as well as certain characteristics like the use of obscure rhythms such as 3/8, 5/8 and 10/8.[2] The first compilation of Albanian folk music was made by Pjetër Dungu in 1940.

Albanian folk songs can be divided into major groups, the heroic epics of the north, and the sweetly melodic lullabies, love songs, wedding music, work songs and other kinds of song. The music of various festivals and holidays is also an important part of Albanian folk song, especially those that celebrate St. Lazarus Day (the llazore), which inauguarates the springtime. Lullabies and laments are very important kinds of Albanian folk song, and are generally performed by solo women.


These traditions are a form of oral history for the Ghegs, and also "preserve and inculcate moral codes and social values", necessary in a society that, until the early 20th century, relied on blood feuds as its "primary means of law enforcement".[4] Styles of epics include këngë trimash (songs of bravery), këngë kreshnikësh, ballads and maje krahi (cries)[citation needed]. Major epics include Mujo and Halil and Halil and Hajrije.[3]

The most traditional variety of epic poetry is called Rapsodi Kreshnike (Poems of Heroes). These epic poems are sung, accompanied by a lahuta, a one-stringed fiddle. It is rarely performed in modern Albania, but is found in the northern highlands.[1]

Somewhat further south, around Dibër and Kërçovë in Macedonia, the lahuta is not used, replaced by the çifteli, a two-stringed instrument in which one string is used for the drone and one for the melody. Though men are the traditional performers, except for the Vajze të betuar, women have increasingly been taking part in epic balladry.[1]

Along with the def, çifteli and sharki are used in a style of dance and pastoral songs. Homemade wind instruments are traditionally used by shepherds in northern Albania; these include the zumarë, an unusual kind of clarinet. This shepherds' music is "melancholic and contemplative" in tone.

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[manastir30]

5 Yje Bilbilat e Kercoves

[AlbScanderbeg]

kush qene ata pushtat grek qe e bene dislike?

[plakooo]

respekt per bilbilat e kercoves

[TheBrrrrrra]

bravos Vellezerit Dervishi!!!Jeni ma te miret!:)

[MrMayer95]

@Klinaj po ti nuk di cka eshte muzika o kauri i kurves...keto jan kenge burimore kercovare.....qe jane te respektuara gjithandej....e ti zotni i mencur han mut kot se ty ste pelqekan?cka te pelqen ty more picke motres jote?

[MrMayer95]

@Klinaj ce be pick none cish i mungon kesaj?ti cka karin don tallavan?tallavaja osht muzik xhipshish o katundari i kurves...shko ne pick te nanes te pasha dhe mos va ha karin KERCOVAREVE !!!!

[naimm80]

@Klinaj SHKO BE LOPE KECE MOS HA SHOM SE TEJ SE DIN SE CYSH OSHT MUZIK JE MESAU ME TALLAVA ME DUKET.TEJ SHKO LIF NE MOL KLINAJ

[nordquartier]

Xhyli shumë të dua i juaji Selman Zendeli Bern

[MusliKastratiPZ]

o uskana5,,, a kan diqka ma te re kta  bylbyla perveq asaj qe e ka ba me besianen azizi ...përshëndetje

[tabietaful]

Amazing vocal tradition!!!!!!! I would like to listen to more music like this!