Ghost Riders In The Sky

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Uploaded by on Sep 6, 2008

http://www.youtube.com/watch?v=HfY-snTvUcw&fmt=18
Buck Norris sings "Ghost Riders In The Sky" sung originally by Gene Autry and also a big hit by Johnny Cash.
His first recordings had just been released when his mother, who'd been ill for months, died at the age of 45, apparently of cancer. Autry's father began drifting away soon afterward, and he became the head of the family and the main supporter of himself, two sisters, and a younger brother. In early December of 1929, Autry cut his first six sides for ARC. The music was a mix of hillbilly, blues, country, yodel songs, and cowboy ballads. His breakthrough record, "That Silver-Haired Daddy of Mine," co-written by Autry and his friend Jimmy Long one night at the railroad depot, was released in 1931. The song sold 30,000 copies within a month, and by the end of a year 500,000 had been sold, an occasion that American Records decided to mark with the public presentation of a gold-plated copy of the record. Autry received a second gold record when sales later broke one million. And that was where the notion of the Gold Record Award was born. The record also led him into a new career on the radio as Oklahoma's Yodeling Cowboy on the National Barn Dance show sponsored by WLS out of Chicago. It was there that Autry became a major national star -- his record sales rose assisted by his exposure on radio.

During the early years of his career, Autry took a number of important collaborators and musicians aboard. Among them were Fred Rose, the songwriter (later responsible for "Your Cheatin' Heart") with whom he collaborated on many of his hits, and fiddle player Carl Cotner (who also played sax, clarinet, and piano), who became his arranger. Autry had a knack for knowing a good song when he heard it (though he almost passed on the biggest hit of his career), and for knowing when a song needed something extra in its arrangement, but it was Cotner who was able to translate his sensibilities into musical notes and arrangements. Mary Ford, later of Les Paul fame, was in Autry's band at one time, and in 1936 Autry signed up a 17-year-old guitar player named Merle Travis, the future country star and songwriter.

By the early '30s, Autry became one of the most beloved singers in country & western music. By 1933, he was getting fan letters by the hundreds every week, and his record sales were only going up. Autry's career might've been made right there, but fate intervened again that year, in the form of the movie business. The Western -- especially the B Western, the bottom-of-the-bill, low-budget action oater -- had been hit very hard by the coming of sound in the years 1927 to 1929. Audiences expected dialogue in their movies, and most Western stars up to that time were a lot better at riding, roping, and shooting than reading lines. Not only did producers and directors need something to fill up the soundtracks of their movies, especially on the limited budgets of the B Westerns, but something to substitute for violent action, which was being increasingly criticized by citizen groups.

Cowboy star Ken Maynard, who was a great trick rider and stuntman but no singer, had tried singing songs in a few of his movies, and the producers noticed that the songs had gone over well despite his vocal limitations. Maynard was making another Western, In Old Santa Fe (1934), for Mascot Pictures, and producer Nat Levine decided to try an experiment, putting in a musical number sung by a professional. By sheer chance, the American Record Company and Mascot Pictures were locked together financially, though indirectly, and with the help from the president of ARC, Levine was steered toward Autry.

A phone call brought the young singer and another ARC performer -- multi-instrumentalist/comedian Smiley Burnette -- out to Hollywood, where, after a quick meeting and screen test, the two were put into In Old Santa Fe. Autry had only one scene, singing a song and calling a square dance, but that scene proved to be one of the most popular parts of the movie.

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Uploader Comments (bucknorrismusic)

  • nice sweet

  • @cencal100 Thanks very much appreciate it.

  • Very good rendition, I loved it

    Eric - Studio ChinChan

  • Thanks very much.

  • Nice one, Buck, been away from comp for a bit, was nice to get back to listening to your music

  • Thanks very much appreciate it.

Top Comments

  • check out the best ghost rider on guitar

  • NIce one man i'd loved to master this song on my guitar

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All Comments (58)

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  • I have heard this song done in the Key of Dminor. You did a great job.

  • super amazing ! wow ! thanks ! i love this song ! !my heart beat

  • @Werner170 ,Yes i believe you are correct but Vaughan had the most success with his recording Burl Ives released his version in about Feb 1949 .Kind Regards

  • @shanedladd Wasnt it Burl Ives?

  • nice one Buck,the original was done by Vaughn Monroe way back in 1949 and released on the Phillips Label 78rpm shellac disc.Yo

  • I like how you do this one Buck. When I play it, I play it with capo on #1 fret. Seems to sound a bit better, especially when I do the solo.

  • Класс! Я из России!!!!!!!! Пришлите аккорды и текст! Хочу попробовать! И соло вступительное! alp_72@inbox.ru

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