Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Art of Photography - Edward Steichen

Loading...

Sign in or sign up now!
35,322
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Mar 12, 2008

Edward Steichen (March 27, 1879--March 25, 1973) was an American photographer, painter, and art gallery and museum curator, born in Bivange, Luxembourg. His family moved to the United States in 1881 and he became a naturalized citizen in 1900.

Having established himself as a fine art painter in the beginning of the 20th century, Steichen assumed the pictorialist approach in photography and proved himself a master of it. In 1905, Steichen helped create the Little Galleries of the Photo-Secession with Alfred Stieglitz. After World War I, during which he commanded the photographic division of the American Expeditionary Forces, he reverted to straight photography, gradually moving into fashion photography. Steichen's 1928 photo of actress Greta Garbo is recognized as one of the definitive portraits of Garbo.

During World War II, he served as Director of the Naval Photographic Institute. His war documentary The Fighting Lady won the 1945 Academy Award for Best Documentary. After the war, Steichen served until 1962 as the Director of Photography at New York's Museum of Modern Art.

Among other accomplishments, Steichen is appreciated for creating The Family of Man in 1955, a vast exhibition at the Museum of Modern Art consisting of over 500 photos that depicted life, love and death in 68 countries. Steichen's brother-in-law, Carl Sandburg, wrote the introduction for the exhibition catalog (ISBN 0-8109-6169-5). As had been Steichen's wish, the exhibition was donated to the Grand Duchy of Luxembourg. It is now permanently housed in the Luxembourg town of Clervaux.

In February of 2006, a copy of Steichen's early pictorialist photograph, The Pond-Moonlight (1904), sold for the highest price ever paid for a photograph at auction, U.S. $2.9 million.

Steichen took the photograph in Mamaroneck, New York near the home of his friend, art critic Charles Caffin. The photo features a wooded area and pond, with moonlight appearing between the trees and reflecting on the pond. While the print appears to be a color photograph, the first true color photographic process, the autochrome process, was not available until 1907. Steichen created the impression of color by manually applying layers of light-sensitive gums to the paper. In 1904, only a few photographers were using this experimental approach. Only three known versions of the Pond-Moonlight are still in existence and, as a result of the hand-layering of the gums, each is unique. In addition to the auctioned print, the other two versions are held in museum collections. The extraordinary sale price of the print is, in part, attributable to its one-of-a-kind character and to its rarity.


Search: http://www.artcyclopedia.com/artists/steichen_edward_j.html

http://en.wikipedia.org/wiki/Edward_Steichen

... "By 1900 the adventurous and ambitious young man had saved enough funds to travel abroad to further his artistic studies and to pursue his ambitions as a painter and photographer. On his way to Paris Steichen stopped briefly in New York and visited Alfred Stieglitz, the dean of American pictorial photography at the time. This encounter would change both men's lives considerably. Stieglitz was not only impressed by Steichen's photographs.
Three of which he purchased, but was equally taken by the beauty of his paintings, drawings, and lithographs. Although Steichen initially went abroad to study painting at the Académie Julian, he spent very little of his two years in Europe at formal studio classes. Like all art students in Paris, he gravitated toward the Louvre. He also visited the Luxembourg Palace where he saw works by Monet, Manet, Pissarro, and Sisley. In addition, he saw paintings by Vincent van Gogh at an exhibition held by a fellow photographer in his studio.

In the fall of 1900 Steichen visited London where he met the American photographers Frederick Holland Day and Alvin Langston Coburn and participated in the New School of American Photography exhibition organized by Day. While in London he received his first big break, a commission to photograph the artist George Frederick Watts. Soon he was photographing the most famous artists and writers of his day including Fritz Thaulow, Alphonse Mucha, Franz Stuck, Paul-Albert Besnard, Maurice Maeterlinck, and Auguste Rodin."

More for his life:
http://www.artnet.com/Galleries/Artists_detail.asp?gid=173989&aid=668179


26, the Moon and Antares, the brightest star of Scorpius, huddle together after midnight tonight. At their closest, they will be separated by about one degree, which is less than the width of a finger at arm's length.

Category:

People & Blogs

Tags:

License:

Standard YouTube License

  • likes, 3 dislikes

Link to this comment:

Share to:

Uploader Comments (moonlightnoir)

  • He has some amazing shots...but I find him boring nine times out of ten.  I think it is just the fact he moves at a slower pace. To me Steichen is to Photography as Cezanne is to painting. There is something magical about them... but they have a sense a form that I consider... well.. lacking ..to put it kindly

  • I'm glad you enjoyed :-)

  • Très belle réalisation : photos et musique.

    Merci!

  • Thank you!

  • Does anyone know the name of the song and the artist? It is very soothing, it would be great to find more music like this.

    thanks!

  • Luna (full moon remix) by Alexkid (Astor Piazzolla)

Top Comments

  • Wonderful choice of photographs and music!

  • Brilliant.

    Thank you.

see all

All Comments (20)

Sign In or Sign Up now to post a comment!
  • March 27, 1907 is one of ten special days for me. That is the day that my paternal grandparents got married. The fifth event preceding my arrival had taken place.

  • Thank you for sharing the work of Edward Steichen, Man Ray and other masters of photography. I enjoy this video and am glad to have found your channel.

  • Amazing to think he did all this early in the 20th century. His composition and use of lighting are spectacular. I can see where the same people who find the Homer and the Iliad boring might not appreciate Steichen. Fortunately, I had a great Humanities teacher who opened my mind and my eyes. I shall always be grateful.

  • Luna- Full moon remix

  • I liked 0:32 2:16 2:54 3:39, 4:38, 4:44,

  • excellent vids im just a amatuer in photography and a senior in high school and ive taken some good quality shots but man my jaw dropped after seening these

  • Thanks.

Loading...

0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more