Consolation number 3 by Franz Liszt, played by Miles Mathis. The thing to notice here is the triplets in the left hand. The hands play at different speeds the entire piece. Very few of even the greatest pianists bother to match the tempos properly, since this is considered an intermediate piece, not worthy of their full attention. It is usually played with too little rubato, or way too much. This is how I like it.
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