Uploaded by simplerexistance on Feb 9, 2011
like this : BIOHAZARD - HOGAN'S HEROES - PRONG - LUDICHRIST.
GEORGE BARBERIO - Guitar
JOHN - Bass
TONY - Drums
SKIP - Vocals
OCTOBER SUNDAY MATINEE
part 3 at CBGB October 16,1988
Kick It In*
False Nadar*
Dread Or Alive*
(part 4)
built to last
influenced
stuck in a rut
BIOGRAPHY -
HOGAN'S HEROES appear on about 14 Vinyl, CD, Cassette, worldwide compilations - some of the other people on these comps are JELLO BIAFRA, G.B.H., THE DAMNED, U.K. SUBS, REAGAN YOUTH, M.D.C.,KRAUT, J.F.A.(JODIE FOSTERS ARMY), + NO USE FOR A NAME, SAMIAM, ANTI FLAG, ect.
HOGAN'S HEROES was formed between the beach and swamps in Toms River, New Jersey, October 1984. After recording a six song demo in 1985, Dave Jones AGNOSTIC FRONT booked their first show. In 1988 they were contacted by Nicky Garratt /UK SUBS and signed to New Red Archives Feb of 1989. During 1984-1993 HOGAN'S HEROES released three full lengths. - 1988 "BUILT TO LAST" produced by HOGAN'S HEROES and recorded 1987 at Waterfront(LENNY KRAVITZ, MADONNA, B.B. KING, SMASHING PUMPKINS, SLASH) Studios. In 1990 "HOGAN'S HEROES", produced by HOGAN'S HEROES & Ryk Oakley (SEX PISTOL STEVE JONES, KRAUT, UK SUBS) recorded 1989 at S & SAATCHI(SEX PISTOLS' STEVE JONES, KRAUT, BATTALION OF SAINTS' Chris Smith) Studios NYC, and "3 FISTS & A MOUTHFUL" 1992, produced by George Barberio recorded after summer 1991 at Ocean Gate(ALICE COOPER, NELSON) Studios.
HOGAN'S HEROES material has been released for Twenty-Five (1985-2010) years in United States, Canada, Mexico, Hawaii, Alaska, Europe, Scandinavia, Asia, Australia, Middle East, Africa, Japan and the world over. Illegally and legally on STRAIGHT-ON(U.S.A.), NEW RED ARCHIVES(U.S.A.), PHD(England), FLAVOUR(Japan), J!MCO(Japan), JICK(Japan), and CLEOPATRA(U.S.A.)record labels, etc
CBGB, which opened on 315 Bowery in the Village in 1973, was instrumental in establishing New York's punk scene of the late 1970s and early 1980s, as well as the American hardcore scene of the mid- and late '80s.
Though CBGB was utilized as a hot spot for touring bands to hit when they came through New York, the scene that kept the bar alive during the 1980s was the underground hardcore scene. Sunday at CBGB was matinee day and "thrash day". Every Sunday a handful of hardcore bands took the stage in the afternoon to dinnertime hours, usually for cheap. The CBGB's matinee became an institution. This went on until early 1990s.
source:
VH1:
http://www.vh1.com/artists/az/hogan_s_heroes/artist.jhtml
myspace: http://www.myspace.com/officialhogansheroes
wikipedia : CBGB http://en.wikipedia.org/wiki/CBGB
Tufts Daily: http://media.www.tuftsdaily.com
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