cosi fan tutte - come scoglio - glyndebourne 06
Uploader Comments (mnemonyxx)
Top Comments
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Excellent. She is amazing. I enjoy her acting just as much as her vocal virtuosity. I am tired of "singing heads." Artists who just stand there for the sake of vocal technique are so boring to watch. This chick kicks ass...
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That's pretty funny. I could happily listen to this aria all day.
All Comments (75)
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I haven't even seen any other production of Così fan Tutte yet, but after watching this complete production, this has become my favorite opera. (Btw, this is coming from a person who typically does not enjoy listening to Mozart's music if that tells you anything.)
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@phantom8472 Carol is number one in my book ^.^
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@papagena92 No idea. Censorship maybe? Thanks for mentioning though.
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Listen to Carol Vaness singing this.
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@iTubeVlc why did they hide your comment?
I find both her susanna and fiordiligi amazing!!!!
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@stefflo712 I also think she is a lyric soprano with the potential of becoming a spinto...your observation of her upper register is probably due to lack of support, her placement is good but she breathes too high into the chest, giving little grounding for the high notes.
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@wubawubas No, Dorabella is the mezzo role, Fiordiligi is soprano.
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Certified Intergalactic!
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@stefflo712 I can see what you mean, I think it's due to her breathing too high in the abdomen, it restricts the airflow to the head for the high notes, if you watch closely her chest expands too much when she breathes. That's the only flaw in her technique I can see that may cause this that I can see. I don't think it's to do with her "fach".
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is fiordiligi supposed to be a mezzo?
Is the conductor Pritchard?
elias12186 3 years ago
Orchestra of the Age of Enlightenment
The Glyndebourne Chorus
Conductor: Ivan Fischer
Stage Director: Nicholas Hytner
mnemonyxx 3 years ago