La clemenza di Tito - Del più sublime soglio (Rec. & Aria)
Uploader Comments (Arashi110)
Top Comments
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Of all the tenors before the public today, Kaufmann for me has the most distinctive, memorable sound and splendid technique; it is typical of the times in which we live that he is not the superstar he deserves to be. People, what more do you want? He has a virile, masculine sound and is also pleasant on the eye.
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I am becoming a fan of Jonas. This guy is suprisingly gifted and talented
All Comments (40)
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@b1i2l336 I am happy to learn that his Werther will be at the Met in a new production, year after next.
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@dvdgrog Yes, I am happy to see that at last the world acknowledges this greatly gifted artist; his Werther is great beyond belief!
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@billyguns2 Three years ago when you wrote this maybe he wasn't yet a superstar. Fast forward to the present. SUPER DUPER STAR! Siegmund, Werther, Cavaradossi, Maurizio......he owns these roles at the moment.
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wunderschön!! Wie schade, dass Kaufmann heute keine Mozartopern mehr singt!
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clownish as ever, mr Kaufmann
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this is a hard aria, even if isn't seems to be.....great singing mr. Kaufmann
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Elettra's music is fabulous, it's basically a long mad scene!
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What is interesting is that recitatives where ONLY used in Italian opera. In German and French opera (comic, at least) spoken dialogue was standard - Magic Flute, Seraglio, even Carmen (in its original version).
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and performing Italian opera as a singspiel in German speaking countries is common
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You are right, they were composed by his pupil Süssmayer.
le variazioni sono proprio brutte ed i portamenti sono un orrore. i rec parlati fanno cagare!
udilio 4 years ago
Well, they are not Italian speakers, after all, except Eva Mei only.
Arashi110 4 years ago