Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Josef Hofmann plays Chopin-Liszt, "The Maiden's Wish"

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
10,717
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Feb 1, 2008

Only two words: Josef Hofmann

Category:

Music

Tags:

License:

Standard YouTube License

Link to this comment:

Share to:

Top Comments

  • And yet Rachmaninoff considered Hofmann's playing superior to his own.

  • Simply unapproachable fingerwork. Many modern pianists have great speed, but I've heard none with such distinct clarity and beauty of touch.

see all

All Comments (29)

Sign In or Sign Up now to post a comment!
  • Studied with a student of his. Believe me, means nothing. I suck. Just like to say it.

  • @marliben I think it is, interpratively...but Rachmaninoff had a better technique.

    

  • Loves This :)) x

  • damn, bruised fingertips?

    that sounds inntense

  • pianiplunker-But not better than Hofmann-IMHO nobody ever did except in the odd piece. Hofmann and the piano were as one. He was to the piano what Emanuel Feuermann was to the cello. Artur Rubinstein said that Feuermann was the best cellist ever. Who better to judge it than the man that played trios and duets with him and/or Heifetz.

  • This is prime Hofmann, it's a somewhat banal piece of music (IMHO) but Hofmann brings out the charm and lightness splendidly(not to mention the cuts that Rachmaninov made).

  • I usually prefere Rachmaninov's interpretations to Hofmann's but I have to give it to Hofmann in this recording. The 2 polish songs rachmaninov recorded were his last recordings and he sounds heavy compared to his other recordings. (he was suffering from bruised fingertips) Still, Rachmaninov in his worst days sounds better than 99.99% of other pianists.

  • I agree, compare this with Rachmaninoff playing this. Rachmaninoff is inimitable, with his version the piece ceases to be individual notes, and becomes instead emotional dialogue. Hoffman's is stolid in comparison, not stellar. But then again, that's what inimitable means.

    "He was the most fascinating pianist of them all since Busoni(1866-1824). He had the secret of the golden, living tone which comes from the heart," lauded Arthur Rubinstein.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more