Antonio Salieri - La Passione di Nostro Signore Gesu Cristo - Ouverture and recit

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Meyerbeer1 | December 28, 2008

Antonio Salieri Work: La Passione di Nostro Signore Gesu Cristo, Azione sac...

Meyerbeer1 | December 28, 2008

Antonio Salieri

Work: La Passione di Nostro Signore Gesu Cristo, Azione sacra in two parts, composed in 1776.

Libretto: Pietro Metastasio

Ouverture
Recitative: Dove son?

Pietro: Florian Mock, tenor

Orchestra: Das neue Orchester

Conductor: Christoph Spering

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Uploader Comments (Meyerbeer1)

  • Great tempo at the overture but perhaps the recit is little bit rushed? Good thing is that with period instruments here it's actually easy to notice the birdsong at 5:19.

    Or maybe it's just the better sound quality?

    Scimone's version has no basso continuo, right? Organ was used during secco recitatives

    but I don't think I can hear it during the overture.

  • The the recit is a bit rushed, i think Spering like a more brisk tempo in every recording he does, Scimone's is more appropriate.

    I can't hear the organ in none of the recording's but i think you are right there.

Highest Rated Comments

  • You will never enjoy anything in art by constantly over analyzing the composition. Be tolerant and patient and take what you can away from each aspect.

  • spettacolare.

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All Comments (16)

  • Que interesante y enérgico preludio orquestal para una obra sacra del ambito de una pasion de Jesucristo. Salieri se alejo del convencionalismo barroco y abrio paso a una nueva dimension para la musica sacra. Interesante !

  • Energy!

  • When I listen to this overture, knowing what it is supposed to depict, I get a mental image of a man running around - stopping here and there only to be attacked by the music again.

  • No. That oboe solo depicts perfectly the remorse of Pietro.

    This ouverture is subtitled "La sinfonia esprime li rimorsi e la disperazione di Pietro ", Thrax already translated it.

    I listened to almost all settings of this libretto but Salieri is just perfect.

    Anyway tempis (especially in the recitativo) are a bit rushed yes. Also the tenor doesnt seems to understand what hes singing. I cant feel any emotion in him.

  • Better the Scimone version.

  • and remember that Salieri and misery are two different things. Salieri embodies the brightness of the XVII century!

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