Penderecki - Capriccio per oboe e orchestra

Penderecki - Capriccio for oboe and orchestra

Category:

Music

Tags:

• Penderecki
• Capriccio
• per
• oboe
• orchestra
• contemporary
• music
• concert

[laqerhill]

ok so here's my breakdown of this piece:

1) there's a jazz bassist who came to the wrong stage

2) the oboist is like "hey dudes check out my skillz"

3) the strings are so taken aback by the oboist's obvious skillz that they misread the music drastically to the point where they even forget what part of the instrument to bow

all in all, I love it 5/5

[f15r18]

Real artist don't do their work to please the world, and this is a good example. 5*

[SixSickSixOfficial]

Why aren't there more than 5 stars!

[mod07]

@f15r18 but he pleased me very erll!

[gabrielkrios]

@elliedwa You're absolutely right - my comment from 2 weeks ago is nothing more than a reminder and a suggestion for those who don't know the avant-garde (for those, in other hand, who try to judge it with neoclassical or pop parameters).

[By the way, I think UBUWEB has a huge collection of futurist and dada musics/sounds/howls, along with old declamations, interviews etc.]

Thanks by the surprising answer, ellie... it's a pity that kind of discussion appears so rarely, and in virtual ways.

[elliedwa]

@gabrielkrios I have read the manifestos for the Dada and Futurist movements--while they do reflect the same kind of avant-garde aesthetic that Penderecki manifests in his music, those artistic styles, particularly Dada, had their own radical music which is shocking in a different way than this. They both wanted to move music away from the formal structures that pervaded romanticism and even more traditional moderism (Stravinsky, etc.)

[elliedwa]

@gabrielkrios You have misunderstood me. My comment from a year ago is nothing more than a joke. I love Penderecki--once in my life I hope to have the opportunity to either perform in an orchestra or at least hear live his St. Luke Passion--and I fully understand and appreciate his use of all the sounds you can get out of that kind of small string ensemble. However, I must stand by my comment that the bassist's part is remarkably jazz-inspired.

[geberotisabi]

seslerle ilgili beğenmediğim şey sonlardaki multifonik kullanımı, böyle bir müziğe pek kaynaşmadığını düşünüyorum. üstelik çok ufak bir kesitte kullanıyor, o kısım fazlaca sivrilmiş pek hoş değil.

Kompozisyonu iyi, güzel kurgu. Sonu staccato ile bitmeseydi havada kalsaydı çok daha dramatik bir etki olabilirdi, ama Penderecki bu, ufaktan piyasası var adamın=)

çalan arkadaş harika bir obuacı, kuşkusuz.

[gabrielkrios]

@laqerhill 3) there's a deep formation behind (and within) the chaos of modernist poetry and music; these musicians know exactly what are they doing, as Penderecki knows his art.

[gabrielkrios]

@laqerhill And here's mine:

1) a capriccio (or any other classical form) for an instrument is meant to highlight that instrument and be accompanied by the orchestra; this is not a rock or pop show where some musicians like to supress the others, get some pseudo status, girls and money after a huge guitar solo;

2) before writing, you should know what you are talking about; listen carefully to Stravinsky, read the Dadaist and Futurism manifests and, therefore, learn about modern vanguards;

[cantseetheforest]

Great performance...the actual title is Capriccio for oboe and eleven strings. Who are the performers, please???

[DevilsInstrument]

@peppersax Was?  He's still alive...