Ivashchenko sings Sarastro "Die Zauberflöte"
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@clown84700 Si tu veux entendre une vraie basse profonde, tape le nom de Vladimir Miller., tu cmprendras tout de suite que ce chanteur n'est pas dans la même ligue.
dezangerman 1 year ago
I love that sound in the low notes, wish I could sound like that.
luisiege2 1 year ago
superbe, jamais une basse-profonde avait fait une chose aussi splendide au lieu de faire une aria jolie mais sans mi a le fin, il a fait une chose fantastique avec un mi ... j'en reste sans voix... Chaque jour qui passe, Ivashenko m'inpréssionne de plus en plus!!!
clown84700 2 years ago
C'est un très bon chanteur, mais j'entend plus Méphistophélès que Sarastro dans cette interprétation. Malgré tout un très bon chanteur je le répète.
jacquesurlus 2 years ago
Super!!!!
DerOperaFun 2 years ago
um, there is nothing remotely close to an eflat in this peice. The highest it goes to is maybe a csharp.
bassodivo 2 years ago
Certified Intergalactic!
Dogaradodia 2 years ago
I disagree about his legato... it sounds quite good to me, and I'm very familiar with all the great bassos. I agree the tempo is a bit fast, but that might be the fault of the conductor more than anyone else. Aso for his age... nothing in the score or script says Sarastro is an old man. I think the idea of a younger Sarastro is just fine, for a change!
BorisGodunov 2 years ago
That said - Ivashchenko really does perform this beautifully. It IS rear to hear such a performance from a young bass.
dvergurinn 3 years ago
Going down to the low E at the end of the aria is indeed a bit show of. It might be a good vocal practise, but I for one would never do it on stage.
The true basses still have to reach the low E though, because there are plenty of arias written that low.
dvergurinn 3 years ago