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踏歌

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Uploaded by on Apr 18, 2006

《踏歌》以民间形态、古典形态交融共同诠释了从汉代起就有记载的歌舞相合的民间自娱舞蹈形式。"春江月出大堤平,堤上女郎连袂行。唱尽新词看不见,红霞影树鹧鸪鸣....­..新词宛转递相传,振袖倾鬟风露前。月落乌啼云雨散,游童陌上拾花钿。"连唐人刘禹锡也按捺不住自己的诗情,面对"带香偎半笑,争窈窕"的南国佳人赋上一首《踏歌行》。­敛肩、含颏、掩臂、摆背、松膝、拧腰、倾胯是《踏歌》所要求的基本体态。舞者在动作的流动中,通过左右摆和拧腰、松胯形成二维或三维空间上的"三道弯"体态,尽显少女之婀­娜。松膝、倾胯的体态必然会使重心下降,加之顺拐蹉步的特定步伐,使得整个躯干呈现出"亲地"的势态来。这是剖析后的结论,但舞蹈《踏歌》从视觉感上讲并未曾见丝毫的"坠­"感,此中缘由在于那非长非短、恰到好处的水袖。《踏歌》中的水袖对整体动作起到了"抑扬兼用、缓急相容"的作用,编导将汉代的"翘袖",唐代的"抛袖",宋代的"打袖"­和清代的"搭袖"兼融并用,这种不拘一格、他为己用的创作观念,无疑成就了古典舞《踏歌》古拙、典雅而又活络、现代的双重性。

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  • @thaicedtea666 they are supposed to be excited young ladies who are going for a spring outing after having spent winter cooped up at home. OF COURSE its bouncy! (No offense though)

  • I didn´t understand

  • beautiful song, beautiful lyrics and beautiful dancing.....at the thought of the lovely Crab even she cannot dance well ....!!!!

  • beautiful song, beautiful lyrics and beautiful dancing.....at the thought of the lovely Crab even she cannot dance well

  • Merci beaucoup ! J'adooooooooooooooooooore !!!

  • 動作極俏皮可愛 很可親的鄉間年輕女孩動作 比彩帶舞好看許多

  • i saw this dance in Sf palace of fine arts :D amazing!!!

  • OH my good Beaituful i like 5 stars

  • lol good observation - hence the name "Step" Dance.

  • ugh... its all bouncy.

    the way i learned it was less peppy- more calm/flowing.

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