The Shangri-Las - Leader Of The Pack (I've Got A Secret TV Show - October 1964)

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Uploaded by on Nov 1, 2009

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

Along with the Shirelles and the Ronettes, the Shangri-Las were among the greatest girl groups; if judged solely on the basis of attitude, they were the greatest of them all. They combined an innocent adolescent charm with more than a hint of darkness, singing about dead bikers, teenage runaways, and doomed love affairs as well as ebullient high-school crushes. These could be delivered with either infectious, handclapping harmonies or melodramatic, almost operatic recitatives that were contrived but utterly effective. Tying it all together in the studio was Shadow Morton, a mad genius of a producer who may have been second in eccentric imagination only to Phil Spector in the mid-'60s.

Originally the Shangri-Las were comprised of two pairs of sisters from Queens, NY (identical twins Marge and Mary Anne Ganser and siblings Mary and Betty Weiss). They had already recorded a couple of obscure singles when they were hired by George "Shadow" Morton to demo a song he had recently written, "Remember (Walkin' in the Sand)." The haunting ballad, with its doomy "Moonlight Sonata"-like piano riffs, wailing lead vocal, and thunderous background harmonies, seguing into an a cappella chorus backed by nothing except handclaps and seagull cries, made the Top Five in late 1964. It also began their association with Jerry Leiber and Mike Stoller's Red Bird label, which would handle the group for the bulk of their career.

The quality of Morton's work with the Shangri-Las on Red Bird (with assistance from Jeff Barry and Artie Butler) was remarkable considering that he had virtually no prior experience in the music business. The group's material, so over-the-top emotionally that it sometimes bordered on camp, was lightened by the first-class production, which embroidered the tracks with punchy brass, weeping strings, and plenty of imaginative sound effects. Nowhere was this more apparent than on "Leader of the Pack," with its periodic motorcycle roars and crescendo of crashing glass. The death-rock classic became the Shangri-Las' signature tune, reaching number one.

Several smaller hits followed in 1965 and 1966, many of them excellent. "Give Him a Great Big Kiss" proved they could handle more conventionally, bubbly girl group fare well; "I Can Never Go Home Anymore," a runaway tale that took their patented pathos to the extreme, would be their third and final Top Ten hit. These all show up on oldies collections, but lots of listeners remain unaware of the other fine singles in their catalog, like the moody "Out in the Streets," the dense orchestral swamp of "He Cried" (which cuts Jay & the Americans' original, "She Cried," to pieces), and another teen death tale, "Give Us Your Blessings." Some of their best songs, in fact, were B-sides; "Dressed in Black," yet another teen death drama, had a marvelously hushed and damned atmosphere, and "Paradise" was co-written by a young Harry Nilsson. Their most unusual single of all was "Past, Present and Future," which didn't feature a single sung note, presenting a somber spoken monologue and occasional spoken background chants over a classical piano track reminiscent of "Remember (Walking in the Sand)." It was too unconventional to rise above the middle of the charts, especially given that the narrative could quite possibly be construed as the recollections of an assault/rape victim.

Unlike some girl groups, the Shangri-Las were dynamic on-stage performers, choreographing their dance steps to their lyrics and wearing skin-tight leather pants and boots that were quite daring for the time. Their real lives, however, were not without elements of drama themselves. Their constant personnel changes baffle historians; sometimes they are pictured as a trio, and sometimes one of the members in the photos is clearly not one of the Weiss or Ganser sisters. Worse, the Red Bird label ran into serious organizational difficulties in the mid-'60s, and wound down its operations in 1966. The group moved to Mercury for a couple of dispirited singles, but had split by the end of the 1960s. Shadow Morton went on to an interesting, erratic career that included involvement with Janis Ian, the New York Dolls, and Mott the Hoople. Mary Anne Ganser died in 1970; the cause has been a source of mystery but it was due to either encephalitis, complications from a barbiturate overdose, or as the result of a seizures. Her sister Marge died in 1996 of breast cancer.

~ Richie Unterberger, All Music Guide

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Uploader Comments (John1948ElevenB)

  • bur who is the guy on the cycle?

  • @markonstark He is Robert Goulet.  He was a very popular singer, sort of pre-rock, and a regular on I've Got A Secret.

  • ok....if they new about Jimmy...why didn't they know he was dead......"is he picking you up after school"

  • @backdoorsuccess It's just a song. LOL

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All Comments (138)

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  • @okgo43 they didn't write it so I'm not sure why it's that way. Betty didn't really perform with them much at this point so they probably figured they could get away with it but you would think Mary would have asked to change the lyrics to avoid confusion with her sister.

  • Robert Goulet.

  • I wonder how they would react if they saw a girl riding a current Motorcycle.

  • The big "hairbun" is a little over the top.

  • Does anybody know if the guy in this video is on a Yamaha YG1?

  • All these years I thought it was black girls singing this.

  • i saw this episode last week it was cool i like when they did the skit to it

  • Liked the song when I was young, however I always wondered, why she would meet the leader of the pack at the CANDY STORE!!!???

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