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The Shangri-Las - Leader Of The Pack (I've Got A Secret TV Show - October 1964)

John1948ElevenB John1948ElevenB·99 videos
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Uploaded on Nov 1, 2009

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

Along with the Shirelles and the Ronettes, the Shangri-Las were among the greatest girl groups; if judged solely on the basis of attitude, they were the greatest of them all. They combined an innocent adolescent charm with more than a hint of darkness, singing about dead bikers, teenage runaways, and doomed love affairs as well as ebullient high-school crushes. These could be delivered with either infectious, handclapping harmonies or melodramatic, almost operatic recitatives that were contrived but utterly effective. Tying it all together in the studio was Shadow Morton, a mad genius of a producer who may have been second in eccentric imagination only to Phil Spector in the mid-'60s.

Originally the Shangri-Las were comprised of two pairs of sisters from Queens, NY (identical twins Marge and Mary Anne Ganser and siblings Mary and Betty Weiss). They had already recorded a couple of obscure singles when they were hired by George "Shadow" Morton to demo a song he had recently written, "Remember (Walkin' in the Sand)." The haunting ballad, with its doomy "Moonlight Sonata"-like piano riffs, wailing lead vocal, and thunderous background harmonies, seguing into an a cappella chorus backed by nothing except handclaps and seagull cries, made the Top Five in late 1964. It also began their association with Jerry Leiber and Mike Stoller's Red Bird label, which would handle the group for the bulk of their career.

The quality of Morton's work with the Shangri-Las on Red Bird (with assistance from Jeff Barry and Artie Butler) was remarkable considering that he had virtually no prior experience in the music business. The group's material, so over-the-top emotionally that it sometimes bordered on camp, was lightened by the first-class production, which embroidered the tracks with punchy brass, weeping strings, and plenty of imaginative sound effects. Nowhere was this more apparent than on "Leader of the Pack," with its periodic motorcycle roars and crescendo of crashing glass. The death-rock classic became the Shangri-Las' signature tune, reaching number one.

Several smaller hits followed in 1965 and 1966, many of them excellent. "Give Him a Great Big Kiss" proved they could handle more conventionally, bubbly girl group fare well; "I Can Never Go Home Anymore," a runaway tale that took their patented pathos to the extreme, would be their third and final Top Ten hit. These all show up on oldies collections, but lots of listeners remain unaware of the other fine singles in their catalog, like the moody "Out in the Streets," the dense orchestral swamp of "He Cried" (which cuts Jay & the Americans' original, "She Cried," to pieces), and another teen death tale, "Give Us Your Blessings." Some of their best songs, in fact, were B-sides; "Dressed in Black," yet another teen death drama, had a marvelously hushed and damned atmosphere, and "Paradise" was co-written by a young Harry Nilsson. Their most unusual single of all was "Past, Present and Future," which didn't feature a single sung note, presenting a somber spoken monologue and occasional spoken background chants over a classical piano track reminiscent of "Remember (Walking in the Sand)." It was too unconventional to rise above the middle of the charts, especially given that the narrative could quite possibly be construed as the recollections of an assault/rape victim.

Unlike some girl groups, the Shangri-Las were dynamic on-stage performers, choreographing their dance steps to their lyrics and wearing skin-tight leather pants and boots that were quite daring for the time. Their real lives, however, were not without elements of drama themselves. Their constant personnel changes baffle historians; sometimes they are pictured as a trio, and sometimes one of the members in the photos is clearly not one of the Weiss or Ganser sisters. Worse, the Red Bird label ran into serious organizational difficulties in the mid-'60s, and wound down its operations in 1966. The group moved to Mercury for a couple of dispirited singles, but had split by the end of the 1960s. Shadow Morton went on to an interesting, erratic career that included involvement with Janis Ian, the New York Dolls, and Mott the Hoople. Mary Anne Ganser died in 1970; the cause has been a source of mystery but it was due to either encephalitis, complications from a barbiturate overdose, or as the result of a seizures. Her sister Marge died in 1996 of breast cancer.

~ Richie Unterberger, All Music Guide

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Uploader Comments (John1948ElevenB)

  • Юрий Коробейников

    I hear this first time in "bridges of madisson county" i love it and find it, Greate song

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  • John1948ElevenB

    I first hear it on KOIL am in 1964.

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    in reply to Юрий Коробейников (Show the comment)
  • markonstark

    bur who is the guy on the cycle?

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  • John1948ElevenB

    He is Robert Goulet. He was a very popular singer, sort of pre-rock, and a regular on I've Got A Secret.

    · 8

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    in reply to markonstark (Show the comment)
  • YungTigerWu

    ok are they twins? seriously im lookin hard at them and they look almost exactly alike. they have the same features & i'm not even counting the hairstyle. anyone know?

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  • John1948ElevenB

    Originally there were 4 Shangri-las, identical twins Marge and Mary Anne Ganser and siblings Mary and Betty Weiss. Betty was never very serious about it and often skipped performancers. She just sort of came and went as she pleased. As far as I know it never caused her to be dropped fromn the group nor have I heard of any hard feelings over it.

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Top Comments

  • Sling Blade

    RIP Shadow Morton- the song's creator.

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All Comments (184)

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  • Tom Fordi

    According to three separate sources (tv.com, tvtango.com [which reprints TV listings] and the Internet Movie Data base (IMDb) [which is considered the most detailed and reliable]) the actual broadcast date of this show was November 16, 1964. Have enjoyed this and many other videos you have posted, John.

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  • klaus-werner bomber

    Ich habe 3 Jahre gebraucht um Titel und Gruppe zu identifizieren.Miot meinem Moped bin ich nach diesem Song sehr vorsichtig gefahren!

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  • Jared Bennatt

    I love how she can barely keep a straight face while she struggles to lip sync.

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  • cm352317

    Beautiful girls back then. I'm 31 and a woman but wish more women dressed cute but respectable nowadays , I had my wild time but welcome a public dress code, girls dressed modestly give people a nice impression and its so much cuter for real:)

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  • Sidney Greenstreet

    So thats what they looked like! I have liked this song all my life, thanks for uploading was six when it came out,...... eek!

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  • cramaberrys

    Sounds just like the album. I wonder why.

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  • Kr4ftw3rk

    This song gives me goose bumps... lol

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  • Annemarie McMillan

    Guy in the bike - hmmmn the girls good

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  • Ronald Johnson

    Classic ...Love it

    

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  • Danny B

    He meant why did they give them the microphones when they obviously weren't singing. Most singers and bands lip synched in those days, though...especially in the U.S.

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    in reply to MJ Brewer (Show the comment)
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