Simone Kermes - D'Amor sull'ali rosee...Miserere...Tu vedrai

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Uploaded by on Oct 25, 2010

Simone Kermes (!) as Leonora(!!!)'s act IV scene from Verdi's Il Trovatore. Herbert Lippert as Manrico.

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Music

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  • likes, 16 dislikes

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  • @MisterPapageno I was there. Absolutely clownish

  • Ridiculous ...

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  • Error 404

    Verdi not found.

  • MADONNA !! ESTO ES ALGO HORRIBLE !!! QÚE ATROCIDADES SE COMETEN CON EL  GRAN VERDI !!

  • vado ad ascoltarmi i bambini dello Zechino d'Oro...si sentono di più ed inoltre non ti annoiano a morte......povero Verdi!!!!

  • I had no idea Caccini also wrote an opera called il Trovatore. I can`t believe how BAD this is!!! And obviosly they hired a Manrico who seems to be dying of anemia as well, I would have burned both along with Azucena up the stake, preferably during the first minutes of the first act!

  • This woman is physically and vocally (not to mention histrionics!) a real clown!

  • Ossignore!!! Cos' è questo? Verdi? Gib mir Leontyne Price wieder zurück! 

  • My dream is to master class with Simone Kermes and know it pessoalmmente. She is wonderful and a great inspiration. For me it is the best soprano who is alive today, with the best techniques, followed by Patricia and Julia Petibon Lezhneva. Simone Kermes is, without doubt, the Queen of the Baroque. His technique is impeccable.

    I love your staccato, Leggat, trills,, oh everything! I really wanted to make the general trills and flourishes as it does because it is, harmonically speaking...

  • ma che vocina... canta benissimo, ha una bella voce molto delicata e passionale.

    vi ricordo vivamente che ai tempi di verdi c'erano quello che voi chiamate vocine... eh! mica c'erano i soprani di ora!

  • @ilNuovoArchaeOpteryx But how can you say "this is the first Leonora who sounds like Verdi might have heard"?! I mean, it is just nonsensical : Ponselle, Callas, Gencer, Price, Caballé, Sutherland, all of them were remarkable exponents of Belcanto as a technique...

    ..

  • @JB63operaphile And, regarding books, I certainly can recommend Philip Gosset's splendid study "Divas and Scholars - Perforiming Italian Opera" - so, you see, I am not writing my theses out of noting... ;)

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