John Dowland - A Piece Without Title - Charango
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This video is a response to Ancient Egyptian Arabic Improvisation on Fretless Guitar
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All Comments (13)
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hermosa melodia
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Dowland works really well on the charango, congrats on the performance and arrangement! 5*****
-Daniel
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Forgive my ignorance but is this style of music what was being played in europe at the time the Spaniards first went to Latin America? I.e. was this what thay might have played on thier vihuelas when they got there?
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thanks a lot, i´m glad you like it.
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thank you.
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thanks!
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I love when u do the charango stuff!
mia8293 2 years ago
thanks. i´m glad you like my charango recordings.
654321654321 2 years ago
Estupendo como siempre.
Todas las "guitarras" latinoamericanas son la evolución o la adaptación indígena de los instrumentos que trajeron los españoles, que en aquella época fueron la guitarra barroca y la vihuela, las dos con órdenes dobles de cuerdas.
Nupharluteum 2 years ago
Gracias. Si, he leído algunas teorías de como los instrumentos europeos fueron modificados (o imitados) de tal forma que el resultado fue el charango. Sería interesante probar un charango con cuerdas de tripa o nylgut, quizás así se podría obtener un sonido más parecido al de tiempos pasados.
Saludos, R.
654321654321 2 years ago
Very beautiful and enchanting melody,played with a sure and musical touch showing real passion for the style,Dowland was a mighty fine composer and you added a very nice touch with your charango interpretation. Please check out my new posted composition made in Andalucia(Spain) "Sangre de Flores" tell me what you think,greets Vic.
Jazzguts 2 years ago
Thanks a lot for your comment. Dowland was a fantastic composer and i like how the bright sound of the charango can help me on my attempt to reproduce the beautiful melodies he created.
greetings, R.
654321654321 2 years ago