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Steely Dan Live 1996 at Manassas 10/23: Green Flower Street

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Uploaded by on Nov 18, 2007

Steely Dan
Nissan Pavillion
Manassas, VA
21 July 1996

10/23 - Green Flower Street

Donald Fagen - keyboard / vocals
Walter Becker - guitar / vocals
Wayne Krantz - guitar
Ricky Lawson - drums
Tom Barney - bass
John Beasley - piano
Carolyn Leonhart - background vocals
Michelle Wiley - background vocals

Art Crimes '96 Neuraesthenic Horns:
Cornelius Bumpus - alto sax
Ari Ambrose - tenor sax
Michael Leonhart - trumpet

Source:
Intercept from the in-house video monitor broadcast. Producer acquired higher quality audio than that found on the original VHS and synched the new audio with the video and deleted the original audio.

Producer remastered the video with GTH Electronics' Advanced Convertor Enhancer dramatically increasing the quality of the video picture.

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  • Dude for real,,, Wayne Krantz is nothing like steve vai. Vai is all hardcore rock en shit, Wayne is a real top jazz/fusion player. Believe when i say that jazz is much more difficult than rock. Wayne combines great playing speed with melody and thats hard to do.

  • god dam. krantz is unbelievable! he is so deep in that groove its not funny. fret wanking my ass, thats just plain good

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  • "...jazz is much more difficult than rock..." No serious musician cares about that.

    It does not matter if someone plays "better" than another. Music is for bringing people together . If you do not like it, you do not have to hear it. No one really needs any "expert" to explain what is good or not.

  • @marcomania444 Don't know what you mean by "A Mixolydian mode. nat. minor with a #6", but Mixolydian, even with alterations, has to contain the major third and minor seventh (tritone). In A that would be C# and G. The vamp is A minor, so C# wouldn't work, and he is mainly using G#, although he does throw in the odd G passing note. (Specifically F#,G,G#).

    The first thing he plays at 2:57 is an Ami9(ma7) arpeggio: B,G#,E,C#,A. He then plays melodic minor fragments ending with F#,A,G#,F#,E @2:59

  • @basssplayer Ya it's melodic minor; the main key of this song. He has great melodic minor lines.

  • Wayne Krantz does a tremendous job on that song. He is in the groove and his solos fit in and end at the end of the phrase. To answer steelydanbowler's comments; no it is not wrong to feel that way. It lets you know that the music is righteous if it fills your soul.

  • @TheAcousticBob Oh I agree.. Krantz is one of my favorites... I just think it had to do with that particular portion of the melody.

  • @steelydanbowler If the guitar solo starting at two:47 blows you away, listen to the first half of it, too. That starts around 2:20

  • The guitar solo starting at 2:47 just brings me to tears. It's freakin' beautiful.. Is that wrong to feel that way? :-P

  • Krants is Zappa like

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